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GINGERBREAD CHRISTMAS

Fans of Brett’s intricately detailed illustration style will find this a sweet treat.

Brett’s Gingerbread Baby skips in for his third story, this time celebrating Christmas in a Swiss Alpine village setting with a band of anthropomorphic gingerbread instruments.

The Gingerbread Baby’s human pal, a white boy named Matti, helps his cookie friend achieve his wish for his own band by baking and decorating a batch of gingerbread musical-instrument ornaments. The cookies all perform in the bandstand at the town Christmas festival in front of a large crowd of dancing townspeople in traditional costumes and friendly animals. A girl in a red coat points out that the instruments are really cookies, setting off an extended chase for tasty snacks, as in traditional versions of “The Gingerbread Man.” Matti turns the ornaments into little snowmen to hide them from the townspeople, and the Gingerbread Baby himself escapes and hides in the branches of the village Christmas tree, decorated with dozens of ornaments and sweets. The Christmas tree is a large pop-up feature within the last spread, constructed of laminated paper that should hold up to multiple Christmas seasons. Brett again uses her signature style of ornamental borders and side panels to extend the story, with borders of frosting and candies and panels including dancing children of different ethnic groups.

Fans of Brett’s intricately detailed illustration style will find this a sweet treat. (Picture book. 4-7)

Pub Date: Oct. 18, 2016

ISBN: 978-0-399-17071-3

Page Count: 40

Publisher: Putnam

Review Posted Online: Aug. 16, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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