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THE MERMAID

Not quite just right but sure to please Brett’s fans.

More “The Three Bears” than “The Little Mermaid,” Brett’s latest picture book was inspired by her visits to Okinawa and the New England Aquarium, where she encountered the Pacific octopus.

The titular mermaid is named Kiniro, and her Japanese-inspired name, dark rather than golden tresses, and East Asian features are links to Brett’s Japanese inspiration for the story. Various illustrative details of the setting and characters’ costuming also seem tied to Japan, but the text is firmly rooted in the very English “The Three Bears.” While swimming with her friend Puffy (a puffer fish), Kiniro happens upon the house of an octopus family. In keeping with the folk-tale source material, Otosan (the father), Okasan (the mother), and Baby, an octopus family, have all gone out, leaving Kiniro to try their breakfast, their chairs, and their beds. In each instance she prefers Baby’s things, and she drifts off to sleep in a clamshell bed. Throughout, Brett’s signature sidebar illustrations show the octopus family on their outing, each wearing a hat. (A subplot about the octopuses’ hats detracts from the story with superfluous detail.) When they return, they are upset by Kiniro’s intrusion, but Puffy protects her, and they escape with a new friend in tow—a stingray who had been Baby’s hat and which Kiniro replaces with a tiara.

Not quite just right but sure to please Brett’s fans. (Picture book. 3-5)

Pub Date: Aug. 22, 2017

ISBN: 978-0-399-17072-0

Page Count: 32

Publisher: Putnam

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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DAD

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.

Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.

From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.

A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)

Pub Date: May 12, 2026

ISBN: 9781250397041

Page Count: 48

Publisher: Balzer + Bray

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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