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MR. WOLF AND THE THREE BEARS

It is Baby Bear’s birthday, and Mr. Wolf (Mr. Wolf and the Pancakes, 2000) and Grandma are preparing a fine birthday party. But they know that the Three Bears are proud eaters, so they have a lot of work to do. In this new spin on classic characters, the Wolves throw together Huff Puff Cakes and stacks of sandwiches and a great big birthday cake, and then toil like demons to spiff up the house. And then who should barge through the door along with the guests of honor, but Goldilocks, the most horrific creature the woods has to offer. “ ‘What have you brought her for?’ whispered Mr. Wolf.” “There was nothing we could do,” answers Daddy Bear, noting that Goldilocks said she was invited, the little fibber. She proceeds to ruin the party, incongruously and pleasingly caught in Fearnley’s delicate and oh-so-amusing watercolors: A bad girl making mischief, snatching at all the food, ruining the games. Then Grandma Wolf suggests a game of hide-and-seek, asking that nobody go into the kitchen, which is of course directly where Goldilocks heads—and disappears. Not long thereafter, Grandma emerges with a great-looking pie: “You never know what you’ll find in the kitchen,” she says. Predictable as it turns the old standard on its head, nonetheless Goldilocks is so loathsome, and likely so recognizable, that when she gets her just deserts—offstage left, out of reader’s sight—it feels like all is right in the world. Recipes include Baby Bear’s Birthday Cake, Mommy Bear’s Sandwiches, as well as Grandma’s Golden Pie (filling of choice). If Mr. Wolf isn’t careful, he’s going to run out of fairytale characters to eat. (Picture book. 3-7)

Pub Date: April 1, 2001

ISBN: 0-15-216423-5

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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