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The Curse of the Crystal Kuatzin

A fine long-lost treasure story featuring equal amounts of adventure and exhilaration.

A British man goes on a quest to stop a family curse and a worldwide plague in Landsberg’s debut adventure novel.

Jason is given a 125-year-old letter from his great-great-great-grandfather that implores his family to take a treasure, stashed in his own house, back to Brazil to halt a longtime curse. Along the way, Jason, his parents, Terry and Alison, and his sister, Lexy, discover what may be a cure for a lethal disease, caused by Amazonian macaws, which has recently hit America. The novel has a leisurely pace, but its slow tempo often works well, as much of the story is a mystery: Jason realizes that the trunk of treasures, sealed in 1879, contains materials dating from 1900 and later, and Alison slowly translates glyphs on parchment sheets. The story also incorporates touches of fantasy, particularly the titular relic, a statue so powerful that the family is warned not to stare at it. Naturally, they eventually witness its power when they finally make it to the Brazilian rain forest, along with bird disease specialist Dr. Hilary Fitzgerald. The author focuses more on teenagers Jason and Lexy than on their parents, and they are both admirable characters, although Jason can be a bit inconsistent; his remarkable intelligence, aptly displayed in his research on obscure birds, is jarringly offset by his immaturity (“Isn’t this cool, Mum?”). However, Roly, a young thief and con artist who finds a scrapbook about the treasure and tracks down the family, steals the story; although the author establishes him as an antagonist trying to blackmail the Hirleys, his cockney lilt, presented phonetically (“It’s always somefink, innit?”) gives him more than a little charm, particularly as he solidifies a potential romance with Lexy.

A fine long-lost treasure story featuring equal amounts of adventure and exhilaration.

Pub Date: Dec. 12, 2013

ISBN: 978-1482635140

Page Count: 428

Publisher: CreateSpace

Review Posted Online: Jan. 14, 2014

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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THE PERKS OF BEING A WALLFLOWER

Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.

Pub Date: Feb. 4, 1999

ISBN: 0-671-02734-4

Page Count: 256

Publisher: MTV Books/Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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