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WHAT ABOUT ANNA?

“I am Jonas. I am dead,” opens Anna’s older brother whose body was ravished by AIDS five years ago. Now, in Belgium in 1999, Anna and her family are still haunted by Jonas’s death, as well that of her oldest brother, Michael, who died three years ago, along with his girlfriend, Marta, both of whom were working for UNICEF in Bosnia when their Land Rover struck a mine. They are troubled more by Michael’s death, however, because medical examiners could not identify the bodies with absolute certainty. About to graduate from high school in a few days, Anna receives a letter from Hugo, Michael’s best friend, stating that he has been in contact with Marta and that Michael may be alive. Why write to Anna? Out of everyone who knew both Jonas and Michael, Anna has a future ahead of her. So begin family secrets, meetings with new friends and friends from the past, connections to Serbian nationalists Arkan and Slobodan Milosevic, and Anna’s role in bringing the past and future together. Simoen, in his debut, divides the novel into three distinct parts. The first presents the cast of characters through chapters told from their own points of view, but it’s not until the second part, which presents the problem and focuses solely on Anna, that it takes on the feel of a YA story. The conclusion comes about in a letter to a key player who assisted both Jonas and Michael. The intriguing plot, driven by extremely realistic dialogue and interior monologues, reveals Simoen’s background as a dramatist. Although the original Dutch text was award-winning, this translation into British English will only be appreciated by the most sophisticated teen readers who are familiar with details of recent Balkan history and who can identify with the emotions and life experiences of Anna and the adults around her. (Fiction. YA)

Pub Date: May 1, 2001

ISBN: 0-8027-8808-4

Page Count: 264

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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