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THE NINETY-NINTH FLOOR

An intimate and intense novel that shines a light on both the overt and hidden tensions of the Middle East.

Two star-crossed lovers—one Lebanese and the other Palestinian—meet in New York and try to reconcile their contentious romantic and political feelings in this novel from a Lebanese author who's never been translated into English before.

If the personal is indeed political, then the relationship between Majd and Hilda is loaded from the get-go. Majd designs computer games and has adapted well to the American dream, for his business is comfortably established on the 99th floor of a high-rise in New York City. He remains bitter about the past, however, for he was badly wounded and his mother was killed in the September 1982 massacre in the Sabra and Shatila refugee camp in Beirut. He meets and falls in love with Hilda, who’s come from Lebanon to study dance and fashion design. She comes from a conservative Christian family and still prays often and fervently. They begin a passionate affair, which Hilda interrupts—much to the dismay of Majd—by revisiting Lebanon to get back to her roots. Majd fears, not without reason, that the distance between them might bring an end to their affair. To complicate the love theme, Elhassan creates another relationship—between Majd’s Lebanese friend Mohsen (or Mike) and his voluptuous Mexican girlfriend, Eva—that echoes the primary bond between Hilda and Majd. The personal becomes really political when it turns out Hilda’s family were Phalangists and thus perhaps in part responsible for committing the atrocities at Sabra and Shatila. Once Hilda is back in Beirut she faces the difficult decision of whether to remain or to return to the States and try to redeem her relationship with Majd. Elhassan moves her story seamlessly across two time periods—2000, the “present” of the action, and 1982, when the massacre took place.

An intimate and intense novel that shines a light on both the overt and hidden tensions of the Middle East.

Pub Date: Feb. 14, 2017

ISBN: 978-1-56656-054-2

Page Count: 264

Publisher: Interlink

Review Posted Online: Nov. 22, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE MEMORY POLICE

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

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A novelist tries to adapt to her ever changing reality as her world slowly disappears.

Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

Pub Date: Aug. 13, 2019

ISBN: 978-1-101-87060-0

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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THE GREEN ROAD

A subtle, mature reflection on the loop of life from a unique writer of deserved international stature.

When the four adult Madigan children come home for Christmas to visit their widowed mother for the last time before the family house is sold, a familiar landscape of tensions is renewed and reordered.

Newly chosen as Ireland’s first fiction laureate, Enright (The Forgotten Waltz, 2012, etc.) showcases the unostentatious skill that underpins her success and popularity in this latest story of place and connection, set in an unnamed community in County Clare. Rosaleen Considine married beneath her when she took the hand of Pat Madigan decades ago. Their four children are now middle-aged, and only one of them, Constance, stayed local, marrying into the McGrath family, which has benefited comfortably from the nation’s financial boom. Returning to the fold are Dan, originally destined for the priesthood, now living in Toronto, gay and “a raging blank of a human being”; Emmet, the international charity worker struggling with attachment; and Hanna, the disappointed actress with a drinking problem. This is prime Enright territory, the fertile soil of home and history, cash and clan; or, in the case of the Madigan reunion, “all the things that were unsayable: failure, money, sex and drink.” Long introductions to the principal characters precede the theatrical format of the reunion, allowing Enright plenty of space to convey her brilliant ear for dialogue, her soft wit, and piercing, poetic sense of life’s larger abstractions. Like Enright's Man Booker Prizewinning The Gathering (2007), this novel traces experience across generations although, despite a brief crisis, this is a less dramatic story, while abidingly generous and humane.

A subtle, mature reflection on the loop of life from a unique writer of deserved international stature.

Pub Date: May 4, 2015

ISBN: 978-0-393-24821-0

Page Count: 304

Publisher: Norton

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 1, 2015

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