A skillfully written novel, romantic yet tough-minded, in a beautiful setting.
In Bow’s novel, a young Canadian woman confronts family history and future choices on the isle of Crete.
After her mother dies, 25-year-old Callisto “Cally” Armstrong makes a discovery in her mother’s dressing table. Folded into a secret compartment is a “Cruise to Crete” pamphlet with her mother’s wedding rings taped to it and the shakily written words “For Cally.” Her mother was born in Crete, but Cally knows almost nothing else about her past. In Crete, Cally’s doubts grow about a planned new job and so does her curiosity about the island and her grandmother’s role in the resistance movement of World War II. Then there’s Oliver, a handsome American, although—as a restaurant waiter warns—“Tonight he dances. Tomorrow? Gone.” Cally’s stay becomes indefinitely lengthened as she lives as simply as possible, exploring family history, Crete and its people, and her deepening feelings for Oliver—but also a new sense of independence. Discovering her grandmother’s admirable bravery, she also finally learns her mother’s heartbreaking story. Bow (The Oak Island Affair, 2007, etc.) shows an accomplished and lyrical, but not overblown, style that is tied to the history, landscape and culture of Crete, as when Cally wrestles with initial doubts: “The day’s first light, piercing the clouds to lay patterns on the rolling surface of the sea, belonged to Zeus. But still shimmering with last night’s love, Aphrodite, ruthless as ebony, old as art, danced a whole sequence of choices above the morning waves.” Bow’s descriptions of Crete’s natural beauty are vivid and evocative. But there’s more to the book than lovely descriptions of food, landscape and romance. The World War II history is harrowing; Oliver’s Gulf War experience adds a dimension. An obviously right decision becomes the wrong decision on further reflection. Important questions like whether it’s possible to avoid being implicated in the modern world’s sins are thoughtfully considered. Perhaps Cally is luckier than she ought to be, but then, her mother was unluckier.
A skillfully written novel, romantic yet tough-minded, in a beautiful setting.Pub Date: March 17, 2014
ISBN: N/A
Page Count: -
Publisher: Iguana Books
Review Posted Online: Feb. 24, 2014
Kirkus Reviews Issue: April 1, 2014
Review Program: Kirkus Indie
A masterpiece of craftsmanship that offers an unparalleled emotional experience. Send a copy to the Swedish Academy.
An ambitious scientific experiment wreaks horrendous toll in the Booker-winning British author’s disturbingly eloquent sixth novel (after When We Were Orphans, 2000).
Ishiguro’s narrator, identified only as Kath(y) H., speaks to us as a 31-year-old social worker of sorts, who’s completing her tenure as a “carer,” prior to becoming herself one of the “donors” whom she visits at various “recovery centers.” The setting is “England, late 1990s”—more than two decades after Kath was raised at a rural private school (Hailsham) whose students, all children of unspecified parentage, were sheltered, encouraged to develop their intellectual and especially artistic capabilities, and groomed to become donors. Visions of Brave New World and 1984 arise as Kath recalls in gradually and increasingly harrowing detail her friendships with fellow students Ruth and Tommy (the latter a sweet, though distractible boy prone to irrational temper tantrums), their “graduation” from Hailsham and years of comparative independence at a remote halfway house (the Cottages), the painful outcome of Ruth’s breakup with Tommy (whom Kath also loves), and the discovery the adult Kath and Tommy make when (while seeking a “deferral” from carer or donor status) they seek out Hailsham’s chastened “guardians” and receive confirmation of the limits long since placed on them. With perfect pacing and infinite subtlety, Ishiguro reveals exactly as much as we need to know about how efforts to regulate the future through genetic engineering create, control, then emotionlessly destroy very real, very human lives—without ever showing us the faces of the culpable, who have “tried to convince themselves. . . . That you were less than human, so it didn’t matter.” That this stunningly brilliant fiction echoes Caryl Churchill’s superb play A Number and Margaret Atwood’s celebrated dystopian novels in no way diminishes its originality and power.
A masterpiece of craftsmanship that offers an unparalleled emotional experience. Send a copy to the Swedish Academy.Pub Date: April 11, 2005
ISBN: 1-4000-4339-5
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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