In Bow’s novel, a young Canadian woman confronts family history and future choices on the isle of Crete.
After her mother dies, 25-year-old Callisto “Cally” Armstrong makes a discovery in her mother’s dressing table. Folded into a secret compartment is a “Cruise to Crete” pamphlet with her mother’s wedding rings taped to it and the shakily written words “For Cally.” Her mother was born in Crete, but Cally knows almost nothing else about her past. In Crete, Cally’s doubts grow about a planned new job and so does her curiosity about the island and her grandmother’s role in the resistance movement of World War II. Then there’s Oliver, a handsome American, although—as a restaurant waiter warns—“Tonight he dances. Tomorrow? Gone.” Cally’s stay becomes indefinitely lengthened as she lives as simply as possible, exploring family history, Crete and its people, and her deepening feelings for Oliver—but also a new sense of independence. Discovering her grandmother’s admirable bravery, she also finally learns her mother’s heartbreaking story. Bow (The Oak Island Affair, 2007, etc.) shows an accomplished and lyrical, but not overblown, style that is tied to the history, landscape and culture of Crete, as when Cally wrestles with initial doubts: “The day’s first light, piercing the clouds to lay patterns on the rolling surface of the sea, belonged to Zeus. But still shimmering with last night’s love, Aphrodite, ruthless as ebony, old as art, danced a whole sequence of choices above the morning waves.” Bow’s descriptions of Crete’s natural beauty are vivid and evocative. But there’s more to the book than lovely descriptions of food, landscape and romance. The World War II history is harrowing; Oliver’s Gulf War experience adds a dimension. An obviously right decision becomes the wrong decision on further reflection. Important questions like whether it’s possible to avoid being implicated in the modern world’s sins are thoughtfully considered. Perhaps Cally is luckier than she ought to be, but then, her mother was unluckier.
A skillfully written novel, romantic yet tough-minded, in a beautiful setting.Pub Date: March 17, 2014
ISBN: N/A
Page Count: -
Publisher: Iguana Books
Review Posted Online: Feb. 24, 2014
Kirkus Reviews Issue: April 1, 2014
Review Program: Kirkus Indie
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
61
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 1, 2018
Kirkus Reviews Issue: May 15, 2018
Categories: FAMILY LIFE & FRIENDSHIP
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