In this novel, a beautiful, wealthy Texas woman falls in love with a married member of Spanish nobility.
America Jane Harvey, a tall Texan, is being detained by Spanish authorities, with plenty of time to contemplate the last 12 years of her life—“From castles in Spain to a Spanish prison.” The novel then examines the choices that led her there. After her young child died in 1971, America escaped into her work as a professional jet pilot. She built up a courier service into a thriving business and, in Spain to attend her best friend’s wedding, met Alfonso, the Duke of the Castle of Tarifa. A respected banker with a wife and eight children, Alfonso explained that his was a marriage of convenience, and he and America began a passionate affair. The Boyars (co-authors Yes I Can: The Story of Sammy Davis, Jr., 2012, etc.) describe Alfonso’s background, his trauma suffered in the Spanish Civil War and the development of the couple’s affair against the backdrop of developments in post-Franco Spain, including some legal shenanigans having to do with moving cash out of the country. The sympathies here tend to be reactionary: “[T]here was no drug problem in Spain because of a mandatory throw-away-the-key seven years in prison for anyone caught entering the country with even one marijuana cigarette,” the Boyars note rather approvingly. They also discuss Spanish court protocol with respect: Spanish society members “were all Grandees, almost two hundred of them, Dukes and Duchesses because Dukedoms automatically carried grandeza, plus various Barons, Counts and Marquis whose titles had been given grandeza by the King who had bestowed them. The table seating was always according to Court Protocol, the importance and age of a title being the arbiter.” For some readers, the obsession with status, money and power will be tiresome, while others will enjoy the wish-fulfillment aspects of America’s and Alfonso’s lifestyles in the 1 percent.
A tale of surviving and prospering amid the hardships of fortune.
Pub Date: Sept. 6, 2012
ISBN: 978-0971039254
Page Count: 374
Publisher: Marbella House
Review Posted Online: Aug. 12, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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