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BRENDA BERMAN, WEDDING EXPERT

When her Uncle Harry becomes engaged, Brenda reluctantly adjusts to the concept of a new aunt and cousin. Although Aunt Florrie’s niece, Lucy, happens to be the same age as Brenda, the girls are polar opposites. While Brenda dreams of a gold lamé flower-girl dress, Lucy desires nothing more than to be swathed in lavender taffeta. The duo’s arch rivalry is derailed by Harry and Florrie’s surprise elopement, which unites Brenda and Lucy in mutual dismay over missing their big bridal debut. Zalben’s tale, divided into five chapters, conveys the warmth and zaniness that can make families simultaneously maddening and wonderful. Brenda’s unique personality, a beguiling blend of sass and vulnerability, is reflected in Chess’s watercolor illustrations. The distinctive sketches skillfully illuminate Brenda’s spunk and individuality. Brenda’s endeavors to reconcile her hopes with reality tell a tale of acceptance that will help young readers struggling with their own life transitions. (Fiction. 6-9)

Pub Date: May 18, 2009

ISBN: 978-0-618-31321-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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