It’s sentimental to be sure, but who can’t use a gentle nudge to remember manners? (Picture book. 4-8)

READ REVIEW

THE THANK YOU LETTER

Young Grace gives and then receives letters of love and gratitude.

After an exuberant birthday party filled with diverse kids in elaborate costumes, Grace sits down to write thank-you letters for her gifts, depicted in Cabrera’s trademark, childlike style. There’s always a bit of dissonance when an adult approximates children’s art, but these are reasonable, not-too-cloying facsimiles. Grace’s messages are just right, especially when acknowledging that while a gift might not have been perfect (she receives a toy dog rather than a living pup; gloves are too large), she’s thankful nonetheless. Upon finishing, she carries on, sending gratitude to teachers, pets, and members of her diverse community. (Grace herself has light skin and straight, dark hair.) Cabrera’s books tend to feel satisfyingly cohesive, and this is no exception. Grace returns home to dozens of love letters sent back to her pinned inside her brand-new play tent, and the whole thing cozily wraps with Grace holding a metafictive sign thanking the readers of this book. At times, the book tries too hard to be positive—where’s the whining about completing what many children regard as a chore?—and Grace’s ever present grin and dotted pink cheeks make her appear excessively dolllike, even cutesy. But the animated art style, with deeply textured acrylic colors in invitingly warm colors and cheery scrapbook paper collage, buoys the effort.

It’s sentimental to be sure, but who can’t use a gentle nudge to remember manners? (Picture book. 4-8)

Pub Date: Oct. 8, 2019

ISBN: 978-0-8234-4250-8

Page Count: 32

Publisher: Holiday House

Review Posted Online: June 25, 2019

Kirkus Reviews Issue: July 15, 2019

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Lit with sweetness.

SHARE SOME KINDNESS, BRING SOME LIGHT

Coco, who loves her gentle friend Bear, is shocked to learn that the other forest animals do not know about his kindness.

Inspired by one of her grandmother’s favorite maxims, Coco, a girl with light brown skin and curly brown hair, works with Bear to “share some kindness [and] bring some light” to the other animals in the forest. Interpreting it literally, the two make cookies (kindness) and lanterns (light) to share with the other animals. They trek through the snow-covered forest to deliver their gifts, but no one trusts Bear enough to accept them. As night begins to fall, Bear and Coco head home with the lanterns and cookies. On the way through the quiet forest, they hear a small voice pleading for help; it’s Baby Deer, stuck in the snow. They help free him, and Bear gives the young one a ride home on his back. When the other animals see both that Baby Deer is safe and that Bear is responsible for this, they begin to recognize all the wonderful things about Bear that they had not noticed before. The episode is weak on backstory—how did Coco and Bear become friends? Why don’t the animals know Bear better by now?—but Stott’s delicately inked and colored illustrations offer beguiling views of lightly anthropomorphized woodland critters that make it easy to move past these stumbling blocks. (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at 67% of actual size.)

Lit with sweetness. (Picture book. 4-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-5344-6238-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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