by Jane Candia Coleman ‧ RELEASE DATE: Oct. 15, 1993
An elliptically told journey to selfhood through a landscape of transcendent beauty, lyrically evoked by a recipient of two Western Heritage Awards for her writing. In loosely sequential but self-contained essays, Coleman (Stories from Mesa Country, 1991, etc.) describes how early visits to the Southwest—where she ``set out to learn the people, the mysteries, with the unwitting help of an old man, Archie, grandson of pioneer settlers''—would ultimately change her life. There, the author ``forged a bond'' with this old man in a place where ``the mountains turned crimson in the twilight and the months of summer shimmered in the sun.'' Every year she returned with her family ``to its people, its horses, its clear beauty high in the mountains loved above all others; the place that for six years and in the absence of another, I called home.'' Coleman participated fully in the life there: rounding up cattle from mountain pastures, helping brand them, and driving trucks. Later, when her marriage broke up, she acknowledged that she'd become ``an uncomprehending victim of psychological and verbal abuse'' who'd nonetheless ``managed to preserve the core of self'' where she existed. She walked out of her house, pointed her car toward the West, and—with grants to research the life of Mattie Earp, second wife of Wyatt—traveled through the small towns of the region, then rented `` `Rancho Milagro,' Miracle Ranch'' in Arizona—a ``place that is the essence of timelessness.'' But the author's journey reached its apogee on the desolate ranch she finally bought, a ``place of instant recognition.'' There, she settled, ``put down roots, planted trees and a garden,'' and wrote ``the words that demand release.'' At times mannered but redeemed by Coleman's fierce—and eloquently expressed—love for a place of austere beauty and the ``thunderous presence of the natural world.''
Pub Date: Oct. 15, 1993
ISBN: 0-8040-0972-4
Page Count: 117
Publisher: Swallow Press/Ohio Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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