Despite liberties, this is more educational than entertaining and is best suited to fans of the Brontës or biographic...

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THE WORLD WITHIN

A NOVEL OF EMILY BRONTË

A girl runs wild and writes furiously in this portrait of author Emily Brontë’s early years.

Although she chafes at society’s expectations, as embodied by her stern aunt, Emily would gladly remain on the English moors with her dog and her scribbling siblings—braggart Branwell, cautious Charlotte and pious Anne—forever. Having lost her mother and older sisters, Emily loathes change and accordingly struggles with Charlotte’s absences, her own brief time at boarding school and her father’s illness. Inexplicably and violently shy, Emily hates being seen, discussed or even talked to by people outside the household. Self-isolated, she prefers walks in the wild and writing, initially creating melodramatic romances and adventures in the fantasy series shared with her siblings and, by novel’s end, attempting a contemporary, character-based story by herself (presumably Wuthering Heights). Emily comes off as a complex, somewhat heartless and uncivilized girl, yet she’s a better artist than Charlotte, a better musician than Branwell and a more committed writer than Anne—claims unsupported by her minimal surviving real-world work. In her author’s note, Eagland admits to taking some liberties in her attempt to decipher the “enigmatic” Emily but relies heavily on well-chronicled facts and Emily’s one and only novel.

Despite liberties, this is more educational than entertaining and is best suited to fans of the Brontës or biographic celebrations of tortured 19th-century authors. (Historical fiction. 12-18)

Pub Date: March 31, 2015

ISBN: 978-0-545-49295-9

Page Count: 336

Publisher: Levine/Scholastic

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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An earnest examination of mental health in sports.

GEESE ARE NEVER SWANS

Sixteen-year-old Gus Bennett lives in the shadow of his older brother, Danny, a former Olympic swimming hopeful who recently died by suicide.

Gus does not have an easy home life: He has a strained relationship with his mother, a single parent who’s still struggling after Danny’s death; and his older sister, Darien, has a drug addiction and abandoned her now 18-month-old child to the care of their mother. But Gus hopes to train with Coach Marks, the renowned trainer who worked with his brother. He even sneaks into the country club to get access to the pool, willing to do whatever it takes to succeed. He has his eye on qualifying for the national team and seems poised for success, but he soon experiences a downward spiral and engages in reckless behavior. Although the side characters are underdeveloped, Gus’ first-person narration carries the story along smoothly. Conceptualized by the late Academy Award–winning basketball player Bryant and written by Clark, this emotional novel contains lyrical prose that beautifully captures the energy of swimming and short chapters that will keep readers engaged. Physical descriptions are limited, suggesting a white default, but naming conventions suggest some diversity among the swim team members.

An earnest examination of mental health in sports. (resources) (Fiction. 12-18)

Pub Date: July 21, 2020

ISBN: 978-1-949520-05-7

Page Count: 288

Publisher: Granity Studios

Review Posted Online: June 1, 2020

Kirkus Reviews Issue: June 15, 2020

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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