by Jane Ellen Wayne ‧ RELEASE DATE: June 9, 1993
The King of Tragedy is discovered behind the King of Hollywood—by the Queen of Trash Bios. In her tenth Hollywood bio, Wayne (Gable's Women, 1987; Crawford's Men, 1988; Ava's Men, 1990; Grace Kelly's Men, 1991, etc.) goes beyond paste-up to embark on self-plagiary. She makes no mention of Gable's Women and simply jumps into rewriting herself, adding clips from familiar scenes about Gable from her bios of his lovers Crawford, Gardner, and Kelly. Is this a new book? Well, maybe, but no page smells fresh. Once more we get the famous fights, the seethings and soothings, dramatized in Wayne's own dialogue, as between Gable and Crawford: ``I'm sick and tired of this Rhett business.'' ``Not if I play Scarlett. We're dynamite together.'' ``Yeah.'' ``You'll insist?'' ``Carole [Lombard] wants the part, too.'' ``Scarlett's not a blonde, for Christ's sake!'' ``I wouldn't know because I haven't read the goddamn book!'' Wayne's Gable is ``an alcoholic, a bland love, a scoundrel, an egotist, and an opportunist who hit the casting couch for a homosexual encounter with a well-known leading man to get into films.'' And he has a tragic mother-complex. The gay encounter, with a friend of gay director George Cukor, later resulted in Gable having Cukor replaced on Gone with the Wind when Gable didn't want his past dug up. But we've read this story in Gable's Women, just as we've read and reread about the star's affairs with Ava, Joan, and Grace, and about his run-in with Marilyn (in Marilyn's Men, 1992). Even Lombard's knitting of a special little sleeve for Gable lacks zip. Wayneland recycled.
Pub Date: June 9, 1993
ISBN: 0-312-09259-8
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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