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GETTING RID OF MATTHEW

Fallon’s debut is sharp enough, but a languishing plot dulls the author’s wit.

The other woman attempts to make amends in this debut novel from Fallon, a U.K. television producer and partner of comedian Ricky Gervais.

For four years, “nearly forty” Helen has been treading water watching those around her achieve, thrive and take risks. Helen prefers to be an observer and let things happen. Aimlessly she attaches herself to jobs and people that don’t suit her in an effort to approximate a grown-up life. Helen’s achievements are few: She holds a dead-end job as a personal assistant at a middling British PR firm, maintains one friendship, lives in a shabby apartment and has a very married boyfriend named Matthew. The novel centers around this illicit relationship. Matthew was Helen’s boss when he seduced her. He correctly identified her vulnerability and quickly insinuated himself into the role of lover. Matthew is a cad who relishes his roles as PR chieftain, smug married father of two and seducer of younger women (it becomes clear that Helen is but one of Matthew’s conquests). Nothing new up to this point, but thankfully the novel gets moving when Helen decides to dump Matthew. Here’s the twist: Rather than gaining her freedom, Helen gets a hirsute roommate. When Helen gives Matthew the brush off, he falls apart and comes back groveling. It seems Matthew would rather heave over his family and start life anew with his young mistress than face life as a dumped lover stuck in suburban hell. To get rid of her new and unwelcome flatmate, Helen devises a plan to befriend his estranged wife, Sophie, and get the couple back together. While madly scheming to return Matthew to his family nest, Helen befriends Sophie and starts to take responsibility for her misdeeds. Refreshingly, this heroine doesn’t waste time justifying her actions. Helen sees the error of her ways and sets about doing the right thing. Inevitably, she makes some comical missteps, but her heart remains in the right place. Fallon’s debut has bright spots: The leading lady is memorable (one of the few singletons not obsessed with her baby-making status) and the dialogue pops. Pacing seems to be the main flaw, as the action sags in the middle and never regains momentum.

Fallon’s debut is sharp enough, but a languishing plot dulls the author’s wit.

Pub Date: Aug. 7, 2007

ISBN: 978-1-4013-0320-4

Page Count: 336

Publisher: Voice/Hyperion

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2007

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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