Next book

GETTING RID OF MATTHEW

Fallon’s debut is sharp enough, but a languishing plot dulls the author’s wit.

The other woman attempts to make amends in this debut novel from Fallon, a U.K. television producer and partner of comedian Ricky Gervais.

For four years, “nearly forty” Helen has been treading water watching those around her achieve, thrive and take risks. Helen prefers to be an observer and let things happen. Aimlessly she attaches herself to jobs and people that don’t suit her in an effort to approximate a grown-up life. Helen’s achievements are few: She holds a dead-end job as a personal assistant at a middling British PR firm, maintains one friendship, lives in a shabby apartment and has a very married boyfriend named Matthew. The novel centers around this illicit relationship. Matthew was Helen’s boss when he seduced her. He correctly identified her vulnerability and quickly insinuated himself into the role of lover. Matthew is a cad who relishes his roles as PR chieftain, smug married father of two and seducer of younger women (it becomes clear that Helen is but one of Matthew’s conquests). Nothing new up to this point, but thankfully the novel gets moving when Helen decides to dump Matthew. Here’s the twist: Rather than gaining her freedom, Helen gets a hirsute roommate. When Helen gives Matthew the brush off, he falls apart and comes back groveling. It seems Matthew would rather heave over his family and start life anew with his young mistress than face life as a dumped lover stuck in suburban hell. To get rid of her new and unwelcome flatmate, Helen devises a plan to befriend his estranged wife, Sophie, and get the couple back together. While madly scheming to return Matthew to his family nest, Helen befriends Sophie and starts to take responsibility for her misdeeds. Refreshingly, this heroine doesn’t waste time justifying her actions. Helen sees the error of her ways and sets about doing the right thing. Inevitably, she makes some comical missteps, but her heart remains in the right place. Fallon’s debut has bright spots: The leading lady is memorable (one of the few singletons not obsessed with her baby-making status) and the dialogue pops. Pacing seems to be the main flaw, as the action sags in the middle and never regains momentum.

Fallon’s debut is sharp enough, but a languishing plot dulls the author’s wit.

Pub Date: Aug. 7, 2007

ISBN: 978-1-4013-0320-4

Page Count: 336

Publisher: Voice/Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

Next book

THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Next book

ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Close Quickview