None
The 1991 Whitbread Award winner, by the English author of Crusoe's Daughter (1986), etc., sardonically traces the steady fall (or is it rise?) into madness of a suburban wife with too little to do and too many horrors to shut out of her mind. The neighbors have always considered Eliza Peabody eccentric, with with her loudly voiced opinions, fearless stride, and the pious, admonishing notes she distributes for their enlightenment and edification. But when one of those notesto Joan, across the streetincites that elusive woman to abandon her family for far more exotic locales, Eliza seems really to go off the deep end. Her blizzard of follow-up notes to Joan, which comprise all of Gardam's story, first rush to apologize for her forwardness, then capably detail Eliza's efforts to care for Joan's gloomy husband as they wait for the prodigal wife's return. Eliza envies Joan's courage and adventurousness, being herself a well-educated but rather stodgy woman whose life as the childless spouse of a Foreign Office official has petered out into mindless rounds of volunteer work and shopping. Her notes explore the secrets of the suburb's other residents while resolutely ignoring the fact that Eliza's husband has eloped with Joan's, that Joan's unmarried, college-aged daughter has gotten pregnant, and that Eliza herself, in her terrible loneliness, has begun to neglect her garden, her home, and herself. Eliza may be going insaneher neighbors have begun to treat her with the wary kindness one reserves for the near- psychoticbut at least she's lost her self-righteous edge. As her letters move from stilted lectures to multiple-paged flights of glorious fancy, the roots of her misery begin to emerge, until all her inventions seem a perfectly rational response to the events that prefaced her destruction. A loony, funny taleand an author with a refreshing take on the familiar.
None NonePub Date: Aug. 16, 1995
ISBN: 0-312-13151-8
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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