None
The 1991 Whitbread Award winner, by the English author of Crusoe's Daughter (1986), etc., sardonically traces the steady fall (or is it rise?) into madness of a suburban wife with too little to do and too many horrors to shut out of her mind. The neighbors have always considered Eliza Peabody eccentric, with with her loudly voiced opinions, fearless stride, and the pious, admonishing notes she distributes for their enlightenment and edification. But when one of those notesto Joan, across the streetincites that elusive woman to abandon her family for far more exotic locales, Eliza seems really to go off the deep end. Her blizzard of follow-up notes to Joan, which comprise all of Gardam's story, first rush to apologize for her forwardness, then capably detail Eliza's efforts to care for Joan's gloomy husband as they wait for the prodigal wife's return. Eliza envies Joan's courage and adventurousness, being herself a well-educated but rather stodgy woman whose life as the childless spouse of a Foreign Office official has petered out into mindless rounds of volunteer work and shopping. Her notes explore the secrets of the suburb's other residents while resolutely ignoring the fact that Eliza's husband has eloped with Joan's, that Joan's unmarried, college-aged daughter has gotten pregnant, and that Eliza herself, in her terrible loneliness, has begun to neglect her garden, her home, and herself. Eliza may be going insaneher neighbors have begun to treat her with the wary kindness one reserves for the near- psychoticbut at least she's lost her self-righteous edge. As her letters move from stilted lectures to multiple-paged flights of glorious fancy, the roots of her misery begin to emerge, until all her inventions seem a perfectly rational response to the events that prefaced her destruction. A loony, funny taleand an author with a refreshing take on the familiar.
None NonePub Date: Aug. 16, 1995
ISBN: 0-312-13151-8
Page Count: 240
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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