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WHITE BODIES

Had this been a character study of the obsessive, bordering on fanatical, relationship between twin sisters it would be a...

A woman worries that danger lurks beneath the seeming happiness of her twin sister’s relationship with a new man and becomes obsessed with uncovering the couple’s every secret.

Tilda, the vivacious golden-haired sister, has held the limelight since the Farrow twins were children, while the mousier, more observant Callie has stayed in the shadows. Now Tilda is an actress, having starred in the remake of Rebecca, one of many clunky Hitchcock references Robins uses throughout her fiction debut. Callie works a few days a week in a London bookshop, still idolizing Tilda from afar, savoring every morsel of time the two spend together; that is, until Tilda introduces Callie to her new love, American hedge funder Felix Nordberg. Charming, with icy Scandinavian good looks, Felix initially appears to be a healthy, if slightly OCD, influence on the oft-flighty Tilda. But Callie soon notices a change in her sister's behavior and glimpses a darker, perhaps more violent side of Felix that sends her online to a domestic abuse forum called controllingmen.com. There, she’s inundated with typical stories of abusive spouses and boyfriends as well as things to look for in violent relationships. Convinced that Felix is abusing Tilda, claims her sister finds preposterous, Callie is shocked when Felix turns up dead of an apparent heart attack while attending a conference. The sisters’ relationship—undeniably the most intriguing part of the story, especially its push-pull qualities—shudders under the weight of both Felix’s death and the two women’s conflicting ideas on what love really means.

Had this been a character study of the obsessive, bordering on fanatical, relationship between twin sisters it would be a stellar novel; unfortunately, it’s the crime that bogs down the story.

Pub Date: Sept. 19, 2017

ISBN: 978-1-5011-6508-5

Page Count: 304

Publisher: N/A

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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