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THE BEST AMERICAN SHORT STORIES 1995

The eightieth anniversary issue of this annual series displays a catholicity of taste that's often been missing from previous volumes. Smiley's selection, drawn from a wide array of magazines, balances new and familiar voices, and, most noticeably, avoids the trendier themes and styles of recent years. Religious themes are honorably treated in a number of fine pieces here: Newcomer Steven Polansky's "Leg" concerns a middle-aged Christian father who sacrifices his leg in order to test the indifference of his head-banger son. Old pro Don DeLillo is represented by "The Angel Esmeralda," a densely imagistic story that embodies an almost medieval theological debate about transcendence, and sets it against the ruins of the South Bronx. Edward J. Delaney's "The Drowning" chronicles the dramatic life story of a former Irish priest who uses his knowledge from the confessional to alter his life forever. The bloody crossroads where politics and religion intersect provide the background for a tale set in Northern Ireland (Jennifer C. Cornell's "Undertow") and another about Zionist Nazi-hunters (Avner Mandelman's "Pity"). Meanwhile, the influence of genre fiction is a welcome addition: Jaimy Gordon's hard-boiled "Night's Work" brilliantly surveys the world of racetrack rates; equally tough-minded is Edward Falco's "The Artist," an action-filled narrative about a successful, suburban artist who dramatically confronts his crime-ridden past. Quirkier stories include the confessions of a former obsessive-compulsive (Andrew Cozine's "Hand Jive"); a macabre job-orientation lecture (Daniel Orozco's "Orientation"); Andrea Barrett's tale of love and honor among geneticists ("The Behavior of the Hawkweeds"); and Thom Jones's wild piece about an alcoholic baboon (from Cold Snap, p. 495). A number of clinkers concern familiar themes: a mother dying from cancer, a disaffected Vietnam vet, suburban adultery. But Ellen Gilchrist's "The Stucco House"—a seven-year-old's view of his troubled alcoholic mother—takes the honors as the collection's most moving story. A strong addition to the venerable series.

Pub Date: Nov. 15, 1995

ISBN: 0395711797

Page Count: 351

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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GRAVITY

A strongly plotted thriller about a plague-like epidemic on a space station. Superb research lifts Gerritsen to the top of the ladder as Michael Crichton and Robin Cook wave from below. Gerritsen’s tale doesn—t have the mystical touch that Stanislaw Lem would have added, though the essential mystery here is a fairly mystical monster, a multicellular microscopic organism called the Chimera. A geologist, trapped in a submersible 19,000 feet deep in the Gal†pagos Rift, ties in with an outbreak on mankind’s first internationally built space station (ISS), orbiting earth. The ISS, five years in the assembling and twice as long as a football field, is manned by an international team of scientists whose work, in part, focuses on testing the effects of weightlessness on microbes and viruses. When tested on earth, such cultures can grow only on flat slides. In space, without gravity, they grow three-dimensionally and assume unbounded shapes. Someone has hoodwinked the space doctors by having them test an absolutely unknown organism that has been lifted from bubbling thermals on the ocean floor. This creature has hideous properties that allow it to take on the DNA of any host it enters, be such lab mouse, frog, or human. Thus, any vaccine that might kill the amazing Chimera, whose DNA is part frog, part mouse, and part human, would kill the host as well. The story builds to a Liebestodt of dancing horror as fatal globules of infected blood erupt weightlessly from the dying, float about the ship, and clog the air filters. Meanwhile, the main romantic interest turns on a couple in the process of divorce, astronauts Emma Watson and Dr. Jack McCallum. Doc Gerritsen (Bloodstream, 1998, etc.), a former internist who creates chilling viral disasters, knows all the natural gates and alleys of the human bio-novel as well as she does the musculature of suspense.

Pub Date: Aug. 17, 1999

ISBN: 0-671-01678-4

Page Count: 331

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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THE CASTAWAYS

Great fun, and with a few poignant moments too.

Nantucket in summer, four chummy couples, romantic intrigue and a possible murder, in the latest from Hilderbrand (A Summer Affair, 2008, etc.).

The book opens with the death of Greg and Tess MacAvoy. Sailing from Nantucket to Martha’s Vineyard for their 12th anniversary, the beloved couple is found drowned, trapped under their boat. Ed Kapenash, Nantucket Chief of Police and one of Greg’s best friends, has to break the news to his wife Andrea, Tess’s cousin. They are joined in mourning by rich, cultured Addison Wheeler; his wife Phoebe, a pill-popping zombie since her twin’s death on 9/11; wild Delilah Drake (in love with Greg); and her stoic husband Jeff. Inseparable for years, the four couples loved and respected each other, vacationed together, watched each other’s children; in fact, they seemed to have an idyllic life of friendship on the island—until the death of Greg and Tess uncovers all their dirty secrets. The toxicology report finds heroin in the bloodstream of sweet, overcautious Tess, a kindergarten teacher and doting mother of twins. Ed also finds five phone calls on Tess’s phone from Addison the morning of the sail. Were the MavAvoys’ deaths an accident or a murder plot gone wrong? Much of the mystery hinges on what happened between Greg, a music teacher at the local high school, and April Peck, a student who several months earlier accused him of sexual misconduct. With a few strings pulled by Ed, Greg’s career was saved, but the strain of the scandal has unforeseen consequences on the surviving friends. In mourning, each feels somehow culpable; slowly they confront together the sordid underbelly of their seemingly respectable lives. If the plot becomes a bit stretched at the end, never mind: Hilderbrand has a master’s touch at characterization, making the novel’s players seem so familiar that the revelation of their secrets is irresistible.

Great fun, and with a few poignant moments too.

Pub Date: July 7, 2009

ISBN: 978-0-316-04389-2

Page Count: 416

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2009

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