Great fun, and with a few poignant moments too.
Nantucket in summer, four chummy couples, romantic intrigue and a possible murder, in the latest from Hilderbrand (A Summer Affair, 2008, etc.).
The book opens with the death of Greg and Tess MacAvoy. Sailing from Nantucket to Martha’s Vineyard for their 12th anniversary, the beloved couple is found drowned, trapped under their boat. Ed Kapenash, Nantucket Chief of Police and one of Greg’s best friends, has to break the news to his wife Andrea, Tess’s cousin. They are joined in mourning by rich, cultured Addison Wheeler; his wife Phoebe, a pill-popping zombie since her twin’s death on 9/11; wild Delilah Drake (in love with Greg); and her stoic husband Jeff. Inseparable for years, the four couples loved and respected each other, vacationed together, watched each other’s children; in fact, they seemed to have an idyllic life of friendship on the island—until the death of Greg and Tess uncovers all their dirty secrets. The toxicology report finds heroin in the bloodstream of sweet, overcautious Tess, a kindergarten teacher and doting mother of twins. Ed also finds five phone calls on Tess’s phone from Addison the morning of the sail. Were the MavAvoys’ deaths an accident or a murder plot gone wrong? Much of the mystery hinges on what happened between Greg, a music teacher at the local high school, and April Peck, a student who several months earlier accused him of sexual misconduct. With a few strings pulled by Ed, Greg’s career was saved, but the strain of the scandal has unforeseen consequences on the surviving friends. In mourning, each feels somehow culpable; slowly they confront together the sordid underbelly of their seemingly respectable lives. If the plot becomes a bit stretched at the end, never mind: Hilderbrand has a master’s touch at characterization, making the novel’s players seem so familiar that the revelation of their secrets is irresistible.
Great fun, and with a few poignant moments too.Pub Date: July 7, 2009
ISBN: 978-0-316-04389-2
Page Count: 416
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2009
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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