Still, this is a handsome offering that helps youngsters understand both an artist’s process and how this stunning statue...

STONE GIANT

MICHELANGELO'S DAVID AND HOW HE CAME TO BE

Sutcliffe make a big impression with this eye-catching introduction to one of Western civilization’s most iconic sculptures.

When the young artist was summoned from Rome back to his native Florence, he was commissioned to take on a work of heroic proportions. This sculpture of the Old Testament hero David was to symbolize Florentine strength and civic virtue. Michelangelo requested “the giant”—an immense block of creamy marble that had been languishing for over 40 years. Sutcliffe limns the lively details of this multiyear project, and her tale of Michelangelo’s talent and industry is considerably enhanced by the thoughtful pen, ink and watercolor work of British illustrator Shelley. He makes the finely modeled realism of the statue the real standout here. (Yes, there are a few views of David in full frontal splendor.) Shelley wondrously juxtaposes this cool, nuanced marble hero with a crowded city, brimming with the bright colors and lively action of Renaissance book illuminations. Backmatter includes an author’s note and a brief bibliography (mostly adult titles, no online resources). Sadly missing? An artist’s note to help curious readers place all the highly researched imagery and background in more complete artistic, historic and geographic context.

Still, this is a handsome offering that helps youngsters understand both an artist’s process and how this stunning statue became the enduring symbol of a city and its people. (Informational picture book. 6-10)

Pub Date: April 8, 2014

ISBN: 978-1-58089-295-7

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Jan. 29, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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A picture book worth reading about a historical figure worth remembering.

THE AMAZING AGE OF JOHN ROY LYNCH

An honestly told biography of an important politician whose name every American should know.

Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.

A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)

Pub Date: April 1, 2015

ISBN: 978-0-8028-5379-0

Page Count: 50

Publisher: Eerdmans

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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A worthy message delivered with a generous dose of inclusivity.

STACEY'S REMARKABLE BOOKS

Sharing books brings children from multiple backgrounds together in this companion to Stacey’s Extraordinary Words (2021).

Again lightly burnishing actual childhood memories, voting rights activist and former gubernatorial candidate Abrams recalls reaching out as a young book lover to Julie, a new Vietnamese classmate shy about reading in English. Choosing books to read and discuss together on weekly excursions to the school’s library, the two are soon joined by enough other children from Gambia, South Korea, and elsewhere that their beaming librarian, Mr. McCormick, who is dark-skinned, sets up an after-school club. Later, Julie adds some give and take to their friendship by helping Stacey overcome her own reluctance to join the other children on the playground. Though views of the library seen through a faint golden haze flecked with stars go a little over the top (school librarians may disagree), Thomas fills the space with animated, bright-eyed young faces clustering intimately together over books and rendered in various shades beneath a range of hairstyles and head coverings. The author underscores the diversity of the cast by slipping scattered comments in Spanish, Wolof, and other languages into the dialogue and, after extolling throughout the power of books and stories to make new friends as well as open imaginations to new experiences and identities, brings all of her themes together in an afterword capped by an excellent list of recommended picture books. (This book was reviewed digitally.)

A worthy message delivered with a generous dose of inclusivity. (Picture-book memoir. 6-9)

Pub Date: Dec. 13, 2022

ISBN: 978-0-06-327185-2

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 16, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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