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THE WORDS I NEVER WROTE

Name: THE WORDS I NEVER WROTE
Author: Jane Thynne
ISBN: 978-1-5247-9659-4

by Jane Thynne ‧ RELEASE DATE: Jan. 21, 2020

An engrossing, suspenseful page-turner that defies expectations.

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Two English sisters become estranged during the Second World War while, in present-day New York, a photographer pursues the dramatic story behind their rift.

When Juno Lambert buys a vintage typewriter previously owned by esteemed newswoman Cordelia Capel, she finds an unfinished manuscript inside. Intrigued, Juno reads the novel (or is it a memoir?) and resolves to uncover what happened between Cordelia and her older sister, Irene. The chronicle begins in 1936, when Irene marries a German industrialist and moves to Berlin. At first, Irene is entranced by her handsome husband and the glamorous life they lead. Soon, though, she develops misgivings about him and his attachment to Nazi bigwigs. Cordelia, meanwhile, lands a job at a Paris newspaper and falls for the bureau chief, who leaves her, and his job, to fight Franco in Spain. The sisters correspond at first, but Cordelia becomes disillusioned with her sister’s sunny reports—unaware that Irene is not free to write what she wishes. Cordelia eventually returns to England to train as a spy while Irene’s life in the war-ravaged German capital deteriorates—though she too finds a way to undermine the Nazi effort. The book begins awkwardly, and the many hairpin plot turns are a little dizzying. It also covers some familiar turf—author Thynne (Solitaire, 2016, etc.) herself has written books with a similar setting—and flirts with melodrama. But this is a satisfying book, filled with vivid historical detail and surprisingly nuanced characters. It effortlessly integrates real-life figures, including the notorious double agent Kim Philby, who plays a small but pivotal role, and Martha Dodd, daughter of America’s ambassador to Germany, who befriends Irene.

An engrossing, suspenseful page-turner that defies expectations.

Pub Date: Jan. 21, 2020

ISBN: 978-1-5247-9659-4

Page Count: 400

Publisher: Ballantine

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Categories:

HISTORICAL FICTION

- BOOK REVIEW
THE PURSUIT OF PEARLS
by Jane Thynne

- BOOK REVIEW
THE SCENT OF SECRETS
by Jane Thynne

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WHISTLING PAST THE GRAVEYARD

by Susan Crandall ‧ RELEASE DATE: July 2, 2013

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

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Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

Categories:

HISTORICAL FICTION

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HOME

by Toni Morrison ‧ RELEASE DATE: May 8, 2012

At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella,...

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A deceptively rich and cumulatively powerful novel.

At the outset, this might seem like minor Morrison (A Mercy, 2008, etc.), not only because its length is borderline novella, but because the setup seems generic. A black soldier returns from the Korean War, where he faces a rocky re-entry, succumbing to alcoholism and suffering from what would subsequently be termed PTSD. Yet perhaps, as someone tells him, his major problem is the culture to which he returns: “An integrated army is integrated misery. You all go fight, come back, they treat you like dogs. Change that. They treat dogs better.” Ultimately, the latest from the Nobel Prize–winning novelist has something more subtle and shattering to offer than such social polemics. As the novel progresses, it becomes less specifically about the troubled soldier and as much about the sister he left behind in Georgia, who was married and deserted young, and who has fallen into the employ of a doctor whose mysterious experiments threaten her life. And, even more crucially, it’s about the relationship between the brother and his younger sister, which changes significantly after his return home, as both of them undergo significant transformations. “She was a shadow for most of my life, a presence marking its own absence, or maybe mine,” thinks the soldier. He discovers that “while his devotion shielded her, it did not strengthen her.” As his sister is becoming a woman who can stand on her own, her brother ultimately comes to terms with dark truths and deep pain that he had attempted to numb with alcohol. Before they achieve an epiphany that is mutually redemptive, even the earlier reference to “dogs” reveals itself as more than gratuitous.