An engaging road saga that hits some potholes—or air pockets—along the way.
Picaresque tour of mid-America in the aftermath of the Great War, bringing together a fugitive, a jaded flier, an escapee former heiress—and a very cute puppy.
Henry Jefferson, nee Schuler, the orphaned son of German immigrants, is on the run after being accused—rightly or wrongly we won’t learn until the end—of murdering a young woman in Indiana. Making for Chicago, Henry runs into Gil, a former Army reconnaissance pilot with a past, and his Jenny biplane. A talented mechanic, Henry offers his services to Gil, who's reluctant to accept until his loner status is further threatened by Cora, who's fleeing her mother’s plans for her, specifically marriage into wealth to restore her ruined family fortune. Mostly at the behest of Cora, a self-taught stunt motorcyclist, the trio forms the Mercury’s Daredevils barnstorming act, named after an adorable stray mutt Cora teaches to do doggy tricks. As they make the circuit around rural Illinois, they encounter criminal elements linked to the illicit booze trade and narrowly escape gangsters, the Klan, and, especially crucial in Henry’s case, the law. When they cross the Mississippi, however, the amateurishness of their act—mostly featuring motorcycle versus airplane races—stands in stark contrast to the magnificence of Hoffmann’s Flying Circus, which features four airplanes in much better condition than Gil’s rattletrap and not just former reconnaissance pilots, but former fighting aces. Cora joins Hoffman’s, followed with reluctance by Henry and Gil after the Jenny is destroyed by a twister. Longueurs ensue as we wait to discover whether Henry really is a criminal, to what extent Gil’s guilt is justified, and whether some vulnerability lurks beneath Cora’s spunkily gorgeous tomboy exterior. The verisimilitude of the language suffers, as too much modern parlance, e.g. “repressed emotions,” “what’s not to like,” etc., jostles against expressions like “the bee’s knees” and “the cat’s pajamas.” The technical challenges of early aviation are described with far more coherence and confidence.
An engaging road saga that hits some potholes—or air pockets—along the way.Pub Date: July 7, 2015
ISBN: 978-1-4767-7214-1
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 28, 2015
Kirkus Reviews Issue: June 15, 2015
BOOK REVIEW
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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