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ALL THOSE SECRETS OF THE WORLD

In a gracefully cadenced text with telling echoes of ideas and images, an apparently autobiographical story: when Jane is four, she and her family see Daddy off on a crowded troopship to WW II; only Mama cries. Soon after, on a forbidden trip to wade in the nearby Chesapeake, Jane's five-year-old cousin Michael demonstrates that the small-looking ships they see are actually big, like Daddy's—Michael moves away while Jane compares his size to her own hand. Two years later, Daddy comes home. "Everyone cried, except Mama," and Janie tells him why she seems bigger: ". . .you were so far away, Daddy. When you are far away, everything is smaller. But now you are here, so I am big." In her best work to date, Baker's watercolors capture the nuances of affection, loss, puzzlement, and jubilation in her characters' expressions and stance, echoing the sorrow of war's partings in the dramatic dark areas of her careful compositions, nicely contrasted with summer's blues and greens. A poignant, beautifully wrought book. (Picture book. 4-8)

Pub Date: April 1, 1991

ISBN: 0316968951

Page Count: -

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1991

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IF YOU GIVE A MOUSE AN IPHONE

Mildly amusing, but something of a one-trick pony.

In this tech-savvy parody of the contemporary classic If You Give a Mouse a Cookie, a hyperactive pet mouse named Applesauce goes off the deep end (literally) while mesmerized with his boy’s iPhone.

Like many a harried caregiver, the boy—who’s finalizing preparations for a special outing to the “wild animal amusement park” with Applesauce—gives the persistently pesky mouse his iPhone as a diversion. Big mistake! Applesauce’s glassy-eyed absorption with the device results in utter mayhem. Oblivious to the roller coaster, tempting junk food and exotic animals at the amusement park, the tap-tap-tapping mouse inadvertently frees the animals from their cages and walks off a cliff. Hitching a ride with some conveniently passing porpoises, he winds up on a “distant island.” The boy arrives to rescue Applesauce, and the pair camp overnight. With no outlets or charger for the dead phone, Applesauce undergoes brief but dramatic withdrawal symptoms, which end with a marshmallow roast. “Ann Droyd”—aka David Milgrim—adopts the original text’s conditional, “if / then” formula but doesn’t attempt its exquisitely circular structure. Cartoony illustrations employ flat blues, grays and greens contoured in black, with word bubbles for dialogue. As Applesauce and his boy stargaze, the mouse asks, “By the way, how’d we get here?”

Mildly amusing, but something of a one-trick pony. (Picture book. 4-7)

Pub Date: Oct. 21, 2014

ISBN: 978-0-399-16926-7

Page Count: 40

Publisher: Blue Rider Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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THE MAGIC SCHOOL BUS ON THE OCEAN FLOOR

From the Magic School Bus series

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Exuding her usual air of competence, Ms. Frizzle drives the magic school bus to the beach, over the sand, and into the waves to take her wisecracking class on a tour of an intertidal zone, the continental shelf, the deep sea bottom, and a coral reef. Degen's paintings feature plenty of colorful (and unobtrusively labeled) sea life. As always, the pace is breathless, the facts well chosen, the excitement of scientific study neatly evoked, and Ms. Frizzle's wardrobe equal to every extraordinary occasion. At the end, her students assemble a bulletin board chart to summarize their observations and—apparently in response to adult anxieties—Cole closes with a quiz clarifying the difference between fact and fiction in the story. Yes, it's a formula, but a winning one. (Nonfiction. 6-8)

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Pub Date: Sept. 1, 1992

ISBN: 0-590-41430-5

Page Count: 48

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

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