The art doesn’t rise to meet the worthy concept.
Referring to the inner lions and tigers of others, she avows: “I wear my bear on the outside. / It’s like wearing a suit of armor. / She keeps out the howls, / the growls. / She keeps me safe.” In school or a treehouse, at the grocery store or on a trampoline, Bear appears to both shield the narrator from harm and eagerly engage in activities. While they don’t always agree, their divergences are mild and equable: “When we do art projects, / Bear paints blue. / I use red. / Sometimes we make / purple instead.” Yolen’s quiet text, seasoned with occasional rhyme, suits this tale of resilience. She gently celebrates how children build their own competencies by adopting imaginary friends and imbuing stuffed toys with their own increasing social-emotional fitness. Corace’s illustrations depict Bear as a huge stuffie, claw-free and benign; she seems more enveloping than protective—hardly armorlike. The narrator has pale skin and wears her hair in a black pageboy. Background characters are diverse, but all have identically simple, stylized features: round dots for eyes, D-shaped smiles, and rosy circles on their cheeks. Children are depicted skateboarding, cycling, and roller-skating without helmets—a casual omission that contradicts the theme of safety and well-being.
The art doesn’t rise to meet the worthy concept. (Picture book. 3-7)Pub Date: March 2, 2021
ISBN: 978-0-8234-4613-1
Page Count: 32
Publisher: Neal Porter/Holiday House
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
A satisfyingly cozy winter holiday tale.
The protagonist of The Little Ghost Who Was a Quilt (2020) enjoys a “boo-tiful” holiday.
The titular spirit—comprised of a patterned quilt rather than a plain white sheet like his peers—loves drifting outside in the cold. His heavier fabrics may slow him down the rest of the year, but in winter they keep him warm enough to enjoy the outdoors while his friends remain inside. One December evening, while visiting the human neighborhood, he notices people singing and putting up twinkling lights (amid the Christmas decorations, one window features a menorah). The little ghost quilt is happy for himself but sad that his pals aren’t witnessing all this, too. The sight of a holiday tree inspires him: He’ll bring a tree to his friends! A branch that blows off during a snowstorm will do nicely. For ornaments, he uses odds and ends from the attic of his house. And when his friends arrive at his home that night, everyone decorates the tree together. The moon, peeping through the window and reflecting off a mirror from the attic, provides the glorious pièce de résistance: The make-believe tree glows brilliantly. This quietly lovely holiday tale underscores the true meaning of the holidays: friendship and togetherness. The illustrations rely on a muted palette with spots of vivid colors; like a quilt, they’re soft and delicate. Human characters vary in skin tone.
A satisfyingly cozy winter holiday tale. (Picture book. 4-7)Pub Date: Aug. 26, 2025
ISBN: 9781774885376
Page Count: 48
Publisher: Tundra Books
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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