The latest in the Fairy Tales series begins with a provocative premise: retelling the story of Sleeping Beauty as a Holocaust memoir. Rebecca Berlin (Becca), the sweet young heroine, fondly recalls the odd version of Sleeping Beauty that her grandmother (Gemma) often told her and her sisters. Although Gemma always identified strongly with Briar Rose, the sleeping princess, no one had thought it anything but a bedtime story—but when a mysterious box of clippings and photos turns up after Gemma's death, hinting that the accepted version of Gemma's origins is untrue, Becca begins tracing the real story, which bears striking resemblances to Gemma's fairy tale. The trail finally leads Becca to the site of an extermination camp in Poland.... The idea has lots of potential, but Yolen's thin novel fails to integrate the material smoothly. The first half has little tension, since the Holocaust connection is pretty obvious; things pick up once Becca travels to Poland, and the narrative of Gemma's wartime experiences is riveting and moving—but it's all told by a third party at the end of the book; Becca doesn't so much solve the mystery as find a narrator to tell her the story. Meanwhile, overwrought emotions and hackneyed images ("his eyes were so blue she felt cut by them, as if they were ice") don't help, and Becca's relentless goody-goodiness grows more than a little annoying. Prolific YA and children's writer Yolen (White Jenna, 1989, etc.) had a good idea here, but didn't follow through.
Pub Date: Sept. 1, 1992
ISBN: 0765342308
Page Count: 192
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
A sweet if muddled tale of the magic of Appalachia.
A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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