The latest in the Fairy Tales series begins with a provocative premise: retelling the story of Sleeping Beauty as a Holocaust memoir. Rebecca Berlin (Becca), the sweet young heroine, fondly recalls the odd version of Sleeping Beauty that her grandmother (Gemma) often told her and her sisters. Although Gemma always identified strongly with Briar Rose, the sleeping princess, no one had thought it anything but a bedtime story—but when a mysterious box of clippings and photos turns up after Gemma's death, hinting that the accepted version of Gemma's origins is untrue, Becca begins tracing the real story, which bears striking resemblances to Gemma's fairy tale. The trail finally leads Becca to the site of an extermination camp in Poland.... The idea has lots of potential, but Yolen's thin novel fails to integrate the material smoothly. The first half has little tension, since the Holocaust connection is pretty obvious; things pick up once Becca travels to Poland, and the narrative of Gemma's wartime experiences is riveting and moving—but it's all told by a third party at the end of the book; Becca doesn't so much solve the mystery as find a narrator to tell her the story. Meanwhile, overwrought emotions and hackneyed images ("his eyes were so blue she felt cut by them, as if they were ice") don't help, and Becca's relentless goody-goodiness grows more than a little annoying. Prolific YA and children's writer Yolen (White Jenna, 1989, etc.) had a good idea here, but didn't follow through.
Pub Date: Sept. 1, 1992
ISBN: 0765342308
Page Count: 192
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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