Yolen’s wordplay is sharp, engaging, and evocative; even folklore-illiterate readers will be enchanted by this slim volume.
Blending Russian folklore with a contemporary American teen’s narration of her departure from an abusive family situation, Yolen’s (Monster Academy, 2018, etc.) entry into the Baba Yaga canon packs an emotional punch.
When Natasha first runs away from home, she’s not sure where to go. Intent on escaping the father who scrubbed her mouth out with soap for speaking a “bathroom word,” she walks farther and farther into the woods and eventually finds herself at a little hut with chicken feet. The house’s owner, Baba Yaga, delights in “the ones who stick out their tongues, / laugh at death threats, use foul language, never beg”—all while completing a massive list of chores, of course—and Natasha soon begins to thrive in this existence. The arrival of pretty, blonde Vasilisa triggers uncomfortable, unquantifiable feelings, especially once she leaves Natasha—and Baba Yaga—behind for a prince. Natasha remembers her father saying, “words have power.” The longer Natasha lives in the hut, the more she learns from Baba Yaga; Gradually, she comes to see her as family and learns she’ll “be the Baba ever after.” Baba Yaga enables Natasha to discover her true self. The elegant, black, cut-paper–style chapter ornaments emphasize the novel's fairy-tale roots and offer a whimsical counterpoint to Natasha's modern voice.
Yolen’s wordplay is sharp, engaging, and evocative; even folklore-illiterate readers will be enchanted by this slim volume. (Verse novel. 12-18)Pub Date: Oct. 30, 2018
ISBN: 978-1-250-16387-5
Page Count: 144
Publisher: Tor
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
A light and entertaining plot-driven romance.
A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.
Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.
A light and entertaining plot-driven romance. (Romance. 14-18)Pub Date: March 31, 2026
ISBN: 9780593904794
Page Count: 384
Publisher: Delacorte Romance
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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