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HOW DO DINOSAURS SAY TRICK OR TREAT?

Another resounding success for this series.

A new dino-centered collaboration from Yolen and Teague is definitely a sweet treat.

In rhyming text, Yolen amuses by wondering how these trick-or-treating reptiles would carry their candy and speculating on some unwelcome behaviors (“Does he stomp on the pumpkins and throw around bits?” “Does she grab for more treats and then make a big mess?”) before asserting that dinosaurs would never! Encountering the dinos on a suburban street, diverse costumed kids initially look startled, then pleased when the creatures show they know the ropes. Cadence and clear language carry readers smoothly along to a message of loving reassurance. Teague depicts lesser-known genera, including Massospondylus, Jainosaurus, and Labocania. As in the other titles in this extensive and popular series, he combines accuracy with rampant imagination and artistic flair; the dinosaurs have authentic body shapes, but since we know little about what their skin or feathers looked like, he freely plays with pattern and color. Teague’s precise, hyperrealistic reptiles walk—or strut—upright. They sport swaths of lime green or electric blue and purple, their scales embellished with flamelike streaks, bands, stripes, dots, and studs. The gentle words, absurd humor, and elegant artwork remind readers about social norms. Children can see themselves in these books and will enjoy the unthreatening proximity to some scaly but fascinating prehistoric predators.

Another resounding success for this series. (Picture book. 4-8)

Pub Date: July 2, 2024

ISBN: 978-1338891980

Page Count: 48

Publisher: Scholastic

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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