In her introduction, the author states that the 13 stories in this book “have always been around, hidden away in the back storeroom of folklore.” No more. Yolen has managed to present these legends and folktales as originally told, with their spunky, canny, and courageous girls and women heroes as feisty and funny as they were to the people of their time. The tales come from all over the world; some of their protagonists are well-known, such as Greece’s Atalanta the Huntress, but many others have been either lost over time or distorted in one way or another to make them palatable to readers who refused to recognize that women were fully capable human beings. There’s Nana Miriam of Niger, who uses the powerful potions in her juju bag to save her father from a vicious hippopotamus. Or China’s Li Chi, who refuses to be sacrificed to the serpent who has terrorized her village and instead uses her wits, a snake-hunting dog, and a sharp sword to slay the creature. Then there’s England’s Molly Whuppie, who serves her king by outwitting a giant and ends up a queen, in a rollickingly funny story that’s only equaled by the Ozark tale of Pretty Penny, who uses her wits to save her father’s money and make a lot more from the highway thief who tries to rob her. There are many more, all of them splendidly told by an author who can not only spin a mean folktale, but makes some nice subtle points in doing so. The book is strengthened even more by Yolen’s extensive “Notes on the Stories” and an excellent bibliography for those who want more, making it a useful reference tool for classroom or library. (Fiction. 8-12)
Pub Date: March 1, 2000
ISBN: 0-15-202047-0
Page Count: 112
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2000
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating...
Nicholas is a bright boy who likes to make trouble at school, creatively.
When he decides to torment his fifth-grade English teacher, Mrs. Granger (who is just as smart as he is), by getting everyone in the class to replace the word "pen'' with "frindle,'' he unleashes a series of events that rapidly spins out of control. If there's any justice in the world, Clements (Temple Cat, 1995, etc.) may have something of a classic on his hands. By turns amusing and adroit, this first novel is also utterly satisfying. The chess-like sparring between the gifted Nicholas and his crafty teacher is enthralling, while Mrs. Granger is that rarest of the breed: a teacher the children fear and complain about for the school year, and love and respect forever after.
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating tale—one to press upon children, and one they'll be passing among themselves. (Fiction. 8-12)Pub Date: Sept. 1, 1996
ISBN: 0-689-80669-8
Page Count: 105
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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