An excellent addition to the nature shelf.
Interrupting his walk on a sandy beach, a child runs after gulls playing catch with a starfish, intercepts their victim, and places it gently back into the water.
In previous titles in this series, young people have encountered birds first On Bird Hill (2016) and then On Duck Pond (2017). Here, readers visit a New England beach where a shorts-and–T-shirt–clad child with dark hair and sand-colored skin has been collecting “sticks and stones, / …shells and bleached small ends of bones.” The story is told in deftly constructed rhyming couplets whose pace seems to quicken with the chase, becoming transformed at the end. Veteran nature illustrator Marstall sets the story in Cape Cod (according to the cover copy), with accurate birds and believable scenery gently portrayed in watercolor. No reader will have difficulty recognizing herring gulls in real life; he shows them from every angle. The backmatter provides further description of other beach inhabitants seen in the illustrations: sanderlings and willets; sea stars; horseshoe crabs; hermit, Jonah, and fiddler crabs. There are also a few suggestions for protecting beaches by reducing the use of plastic, saving energy, and not letting dogs run after birds who might be nesting there.
An excellent addition to the nature shelf. (Informational picture book. 4-7)Pub Date: July 1, 2018
ISBN: 978-1-943645-18-3
Page Count: 36
Publisher: Cornell Lab Publishing Group
Review Posted Online: April 17, 2018
Kirkus Reviews Issue: May 1, 2018
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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