The concluding volume in the Pit Dragon trilogy: Akki, Master's daughter, and Jakkin, former slave and dragon trainer, achieve full rapport with the dragons—and discover both the promise of their planet and the obstacles to its fulfillment. At the end of Heart's Blood, Akki and Jakkin were fleeing from both government and rebel factions on Austar IV. They survived the harsh night only by burrowing in the body of Heart's Blood, the dragon that Jakkin had raised and who had died in their defense. The experience, heartbreaking for Jakkin, brings telepathic rapport between the two, and opens full communication with the children of Heart's Blood. In exploring the mountain fastness, they find a hidden race of men who have discovered not only the telepathy induced by dragon's blood but the way to extract metals on resource-poor Austar IV. Realizing that neither the hidden race nor the government recognizes the full potential of the dragons and of Austar IV, Akki and Jakkin escape—with a resolve to use their new knowledge to bring an end to the feudalism and dragon enslavement on their planet. Yolen has created a full, passionate world to engage our concern; we care about Akki and Jakkin, about the dragons, and about the resolution of Austar IV's conflicts. If the concluding volume seems to end too abruptly, and with questions unanswered, mark it to the gathering storm on Austar IV and not to its historian. Engrossing and engaging.
Pub Date: Oct. 23, 1987
ISBN: 1417624310
Page Count: 296
Publisher: Delacorte
Review Posted Online: May 11, 2012
Kirkus Reviews Issue: Sept. 15, 1987
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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