A glimpse of warm ties between a child who sees pirates and a parent who sees the light.
A father and son come to terms with their differences in this biographical anecdote.
His father, grandfather, and great-grandfather have been builders of lighthouses, but young Robert—affectionately nicknamed “Smout”—has no interest in taking up the Stevenson family trade. An aspiring writer, he dreams of “giants and knights in armor, hidden treasure, and pirates. Definitely pirates!” Struggling to keep up on an inspection tour along the coastal moors of Fife, he asks for a pirate yarn. His father stops posing leading questions about geology and engineering and obliges with a rousing tale of buccaneers dashed to bits on a rock because they stole its warning bell. As Yolen affirms in her afterword, that child indeed went on, with his family’s grudging support, to become a famous writer. But she also commends the Stevenson lighthouses, many of which, as shown on an appended map, are still active around Scotland’s rugged coast (and, she notes, the world). Using layers of cut paper, Rayne effectively alternates nautical scenes of castaways and corsairs with depictions of a small child and his cloaked father, both white like all the figures here, climbing lighthouse steps, crossing expanses of choppy water and rocky, windswept shores, and at last going off amicably together, hand in hand. (This book was reviewed digitally.)
A glimpse of warm ties between a child who sees pirates and a parent who sees the light. (reading list) (Picture-book biography. 6-8)Pub Date: Sept. 7, 2023
ISBN: 9780807574843
Page Count: 40
Publisher: Whitman
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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