THE DRAGON'S BOY

Young Arthur, again: Artos is the scrawny one, while Bed has the muscles and Lancelot the charm. Artos does have diligence and passion for learning; when Sir Ector's prize brachet hound runs away, gravid with young, Artos is the one who follows her through brush and fen to a black hole in the rock. There, instead of the hound, is a creaking, smoking, clawed dragon who asks for meaty stew in return for wisdom—plus a small gem, which Artos exchanges for his first sword: "a sword from a stone." Old Linn ("Merlinnus"), apothecary and druid priest, should have been the source of wisdom, but a fit brought on by age and secrets has left him a mumbling shambles. Armed with the dragon's wisdom and his new sword, Artos leads the boys; even the discovery that the dragon is just one of old Linn's shams fails to take the edge from his joy at his destiny. The Arthurian legend has attracted writers for centuries. Some, like T.H. White and Susan Cooper, weave new tapestries with old yarn; the stories of many others are, at best, irrelevant. Yolen's tale is engaging and consistent, but hardly compelling—not bad, but why deny the magic? For large collections.

Pub Date: Sept. 30, 1991

ISBN: 0-06-026789-5

Page Count: 128

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1990

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A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes.

THE TOWER OF NERO

From the Trials of Apollo series , Vol. 5

In this tumultuous series closer, Apollo, transformed into a mortal teenager, takes on both a deified emperor in a luxurious Manhattan high-rise and an older adversary.

Lester/Apollo’s coast-to-coast quest reaches its climactic stage as, with help from both eager squads of fledgling demigods from Camp Half-Blood and reluctant allies from realms deep below New York, he invades the palatial lair of Emperor Nero—followed by a solo bout with another foe from a past struggle. Riordan lays on the transformation of the heedless, arrogant sun god to a repentant lover of his long-neglected semidivine offspring and of humanity in general, which has served as the series’ binding theme, thickly enough to have his humbled narrator even apologizing (twice!) to his underwear for having to change it periodically. Still, the author delivers a fast, action-driven plot with high stakes, lots of fighting, and occasional splashes of gore brightened by banter and silly bits, so readers aren’t likely to mind all the hand-wringing. He also leaves any real-life parallels to the slick, megalomaniacal, emotionally abusive Nero entirely up to readers to discern and dishes out just deserts all round, neatly tying up loose ends in a set of closing vignettes. The supporting cast is predominantly White, with passing mention of diverse representation.

A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes. (glossary) (Fantasy. 10-14)

Pub Date: Oct. 6, 2020

ISBN: 978-1-4847-4645-5

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: today

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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ZATHURA

A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)

Pub Date: Oct. 28, 2002

ISBN: 0-618-25396-3

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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