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TRUPP

A FUZZHEAD TALE

Trupp, a white, furry, catlike animal from a mythical, mountainous region, decides to see the world. Taking the clothes from a scarecrow for a disguise, and befriending a raven in the process, he hops onto a freight train, and arrives in a polluted urban setting. There are the familiar trials of the noble savage in a modern city: He is chased out of a fountain, yelled at for eating bread crumbs intended for birds, and winds up in a bad part of town. A homeless woman—the only person who recognizes him for what he really is—takes him under her wing. After a sample of her life- -a violent encounter, a meal in a back alley, a night spent in the park—Trupp decides it's time to go home. A seemingly moralistic story in print is raised to the level of gripping drama by the pictures. By wielding a brutal perspective and juxtaposing grainy detail in the foreground with shallow depth of field, Cannon (Stellaluna, 1993) gives her illustrations the look of photographs, except that her hero is imaginary. Since it can't be photographic realism, perhaps it's photographic magical realism? Viewing these pictures approximates the thrill of watching a movie, even one that is full of clichÇs. By reproducing this effect so powerfully, Cannon creates a unique reading experience. (Picture book. 4-8)

Pub Date: April 1, 1995

ISBN: 0-15-200130-1

Page Count: 48

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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A DOG NAMED SAM

A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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