An effective novel designed to introduce young readers to a new culture.
Berliner’s novel introduces older children to the culture and problems of modern Zimbabwe but leaves them with hope for the future.
Luka, an almost–13-year-old boy from a Zimbabwean village, is looking forward to his manhood ceremony and the next opportunity to visit his cousin, whose village includes both a school and a clinic. But from the book’s early pages, the government’s opposition to such American-funded amenities demonstrates the threat the villagers face from President Robert Mugabe’s soldiers. Almost as soon as the reader has had a chance to absorb the details of life in rural Zimbabwe—Luka’s daily walk to fetch water, the constant threat of drought, terms like “bakkie” and “sadza”—the soldiers arrive, killing Luka’s parents and wounding him in the leg. With the help of a Doctors Without Borders team, the boy is airlifted to a South African hospital, where he spends several weeks healing both physically and emotionally. He recovers with the help of hospital volunteer Sarah, who brings Luka home to live with her and her father. Luka and Sarah share a love of dance, and the book’s title is drawn from their discussion of Swan Lake. (Sarah is also the most prominent of the book’s several Jewish characters, another opportunity for cultural understanding.) It might be argued that the book presents an idealized view of Zimbabwe’s current crisis, as Luka ends up reunited with his surviving family member and living comfortably in South Africa instead of joining the thousands of refugees. But the book is aimed at young adults, and it does a respectable job of capturing some of the horrors of the Mugabe regime without overwhelming its young audience. The book has minor spelling and grammar errors, but the overall story is strong.
An effective novel designed to introduce young readers to a new culture.Pub Date: Dec. 20, 2012
ISBN: 978-1479124237
Page Count: 136
Publisher: CreateSpace
Review Posted Online: March 6, 2013
Kirkus Reviews Issue: April 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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