Inventive and exciting, with strong hints of more to follow.
Potent, otherworldly, evil magic seeks domination, feeding on terror and upheaval in a time of war, while a Jewish refugee must find a way to counter it with some good magic of his own.
In 1942, Isaac’s parents send him from Nazi-occupied Prague to Rookskill Castle in Scotland, where he meets magical children and some strange creatures who are using their skills to help Britain win the war, first met in The Charmed Children of Rookskill Castle (2016). On his journey he finds hints that his long-held feeling of being different is true. Amazingly, before arriving at Rookskill, he meets his parents in another century and is given two artifacts, an eternity knot and a time-travel watch, never to be relinquished, that will inform and guide him in the quest for reaching his as-yet-unknown destiny. He and the magically talented friends he meets at Rookskill also face unimaginable dangers as the evils close in on their castle, before all is resolved. Well, maybe not everything. The fantasy worldbuilding is generally well constructed and consistent. Gaelic largely inspires the evil creatures’ names, and Fox informs readers, though not Isaac, of their motivations in occasional interstitial chapters. Episodes are detailed and fast-paced, each one moving the tale forward, and there are lots of unexpected twists, turns, and revelations. Isaac and his magical teammates—all evidently white—are steadfast, brave, earnest, and altogether engaging.
Inventive and exciting, with strong hints of more to follow. (Fantasy. 10-14)Pub Date: Aug. 25, 2020
ISBN: 978-0-451-47869-6
Page Count: 384
Publisher: Viking
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
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