An uplifting story of friendship, kindness, and new ways of seeing.
A buddy bench brings three disparate kids together.
April Boxler is observant and helpful, but she doesn’t consider herself to be very social. When she has a falling-out with her only friend on the first day of sixth grade at Marshallville Elementary School, April chooses to be a buddy bench volunteer primarily to avoid her classmates. On her second day as volunteer, April spots Joey Byrd, a fourth grader who lies so still on the woodchip playground that he looks like he might be dead. Joey also walks in circles, lies down in the middle of things, and spends all recess alone. When April expresses her concerns about Joey, both her mother and the school counselor are dismissive. As the weeks proceed, April and her buddy bench co-volunteer, fifth grader Parveena—“Veena” for short—come to realize (with the help of the school janitor, Mr. Ulysses) that Joey is in fact making art on the playground. Pearsall’s characters are authentic and well rounded; the story is largely narrated by April in the first person, although the sections titled “JOEYBIRD,” which are accompanied by Jin’s pencil illustrations, give readers a glimpse into Joey’s mind. Almost all the characters, with the exception of Veena, who is from India, seem to be white.
An uplifting story of friendship, kindness, and new ways of seeing. (Fiction. 8-12)Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-1739-1
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
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