Agreeable. Like living in a Constable scene with a little excitement.
Switching from cabinetry to portraiture, 18th-century specialist Gleeson (The Grenadillo Box, 2004, etc.) continues to dabble—successfully—in detection by the artistically gifted.
In 1763 Georgian England, it is apparently up to clever artisans to solve capital crimes. And why not? The luxury trade brought these early meritocrats into intimate contact with the moneyed consumers of their goods, giving them unique access to a rarified world. And with their artists’ eyes, they were much better equipped than their aristocratic employers to observe closely the world in which they scrabble to succeed. Gleeson’s proto-cop on the upper-crust crime scene, then, is successful artist Joshua Pope. Pope is in residence at Astley, the suburban London estate of Herbert Bentnick, when a vomit-stained corpse is discovered among the pineapple plants in the hothouse. The audibly horrified discoverer of the death is Sabine Mercier, also in residence at Astley. Sabine is the Barbadian double widow who snagged Mr. Bentnick when he traveled to the Indies to inspect the family plantations. There was also a Mrs. Bentnick on the voyage, but she took ill shortly after meeting Sabine, who nursed her unto death. Sabine, then, who knows an unusual amount about horticulture, including poisonous plants, is engaged to Herbert, a union celebrated in Pope’s nearly complete joint portrait. The corpse is identified from letters in its pocket as John Cobb, an attorney and, like Sabine, from Barbados. Pope is put off by the family’s seemingly cavalier lack of interest in the late Mr. Cobb, and he makes it his responsibility to get to the bottom of things. But his detective work is instantly complicated by the disappearance of Sabine’s prized emerald necklace, a theft blamed on Pope. Clearing his name will require the artist to flirt a bit, pop in and out of London, and consult with the greatest of landscapers, Capability Brown.
Agreeable. Like living in a Constable scene with a little excitement.Pub Date: Feb. 1, 2005
ISBN: 0-7432-6005-8
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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