A rich, heartwarming homage to a groundbreaking series.
Lea’s debut nonfiction work explores the dedicated fan base of an offbeat TV character.
The author writes that she was not expecting to fall in love with the lesbian protagonist of the BBC and HBO drama Gentleman Jack, based on the life of a real 19th-century historical figure: “I was stupefied and embarrassed because Anne Lister was, after all, dead,” Lea writes. “But far more mortifying and unexpected was my morphing into a 70-something fangirl.” The series, created by Sally Wainwright and starring Suranne Jones as the eponymous businesswoman, traveler, diarist, and top-hat wearer, has won dedicated fans around the world, particularly among lesbian viewers. This book collects the experiences and reflections of these “Lister Sisters” (a group that includes more than a few men), detailing their attachment to the show and the fascinating person who inspired it. The series, the author says, not only provided welcome lesbian representation on television, but also catalyzed new levels of self-esteem among its fans, spawning daring sartorial choices, career changes, and pilgrimages to Lister’s hometown of Halifax in West Yorkshire, England. Lea interviews and profiles more than 60 of these fans; most hail from the United States or the United Kingdom, but there are dispatches from such far-flung locales as New Zealand, India, the Philippines, Belgium, Singapore, Portugal, Serbia, and Brazil. The fan base’s sense of the community comes up often in Lea’s interviews, as revealed in this comment by Johanna Pihlajamäki of Hämeenkyrö, Finland: “I just kept thinking how can there be this kind of group in this world….I’m in about 30 other groups, and there is something negative going on all the time. And then there’s the Lister Sisters with hundreds of people, and no one is aggressive and no one is ever disrespected.” Swift’s beautiful black-and-white illustrations effectively evoke the series’ period style. The book will be of greatest interest to readers who love the show, of course, but the work also succeeds as a rumination on lesbian representation in pop culture and the ways that fan communities create new opportunities for connection.
A rich, heartwarming homage to a groundbreaking series.Pub Date: Aug. 28, 2021
ISBN: 978-0-9621837-1-3
Page Count: 354
Publisher: Self
Review Posted Online: April 14, 2022
Kirkus Reviews Issue: June 1, 2022
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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