by Janet Schulman & illustrated by Linda Davick ‧ RELEASE DATE: Aug. 9, 2005
Schulman gives the traditional count-down book a Halloween twist in this adaptation of the classic rhyme involving monkeys bouncing on a bed. When ten children embark upon an evening of candy-collecting, they meet up with a motley crew of Halloween creatures. From a harmless toad to a monster on the prowl for candy, the trick-or-treaters’ numbers lessen by one with each eerie encounter. Schulman’s verses successfully match the bouncy rhythm of the traditional rhyme while incorporating more whimsical aspects of Halloween into the descriptions of the children’s activities. Davick’s brightly hued illustrations go a long way to distill any frightening overtones in the tale. Each creature encountered is carefully depicted as harmless; the bat bears a smiling visage, the “mummy” is obviously a fellow trick-or-treater with purple polka-dotted underwear poking out of its wrappings, etc. Vibrant depictions of clever costumes will set readers to dreaming of their own Halloween escapades and the last page recaps with a Halloween candy graph representing the numerals ten through zero. (Picture book. 3-8)
Pub Date: Aug. 9, 2005
ISBN: 0-375-83225-4
Page Count: 32
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
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by Janet Schulman & illustrated by Meilo So
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by Karen Kilpatrick & Luis O. Ramos Jr. ; illustrated by Germán Blanco ‧ RELEASE DATE: May 28, 2019
An imaginative and engaging look into artistic possibility.
Opposing art implements must learn to coexist in the same space and create together as one adds while the other subtracts.
Change is hard, especially for Pencil. The solitary graphite artist who “loved to draw” finds his worldview challenged when Eraser comes into the picture and uses negative space to complicate the drawings. Believing art can happen only when you add to the image, Pencil has a hard time playing well with others and accepting the notion that, sometimes, less is more. In contrast, ever gleeful Eraser sees potential and beauty in removing. When Pencil challenges Eraser to create art from his chaotic lines, Eraser deftly gives Pencil something he cannot resist: a maze. Eraser’s creativity opens Pencil to the possibility that, perhaps, there might be more to art than making lines on a paper. The two become fast friends as the potential for their creativity doubles when combining forces. Debut illustrator Blanco creates endearing endpapers that serve as mirrors to the story. Although this is a creative concept, it comes after Max Amato’s Perfect (2019), which covers similar conceptual territory. However, through Kilpatrick and Ramos’ text, Pencil and Eraser entangle in a deeper dialogue than Amato’s implements do, and further potential for disaster—or so Pencil would think—is humorously foreshadowed by more art utensils coming into the picture.
An imaginative and engaging look into artistic possibility. (Picture book. 4-8)Pub Date: May 28, 2019
ISBN: 978-1-250-30939-6
Page Count: 40
Publisher: Imprint
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Karen Kilpatrick ; illustrated by Germán Blanco
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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