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THE DONKEY EGG

The deserts take a while to get there, but boy, are they just.

Bear’s wily neighbor Fox produces a gigantic green “donkey egg” and convinces Bear to part with $20 for it.

The Stevens sisters delve into the folk tradition for this tale, variants of which appear in such disparate places as Korea and Algeria, creating full personalities for its protagonists along with a satisfying conclusion to the central hoax, turning a practical joke into a win for the dupe. Cameo portraits introduce the main characters, starting with Bear, who “worked hard, but not anymore. Needs motivation.” Bear is large, furry, and sleepy; Rabbit’s energetic and jumpy; Fox is dapper and sly. Readers will know, as Bear knows, that the huge watermelon is not a donkey egg. But Fox is so persuasive that Bear settles in to help the egg hatch. As Bear sits, warming the egg, rocking it, telling it stories, and playing with it, amusing sidebars calculate seconds in minutes, hours, and days and offer helpful facts (“It takes a spider about an hour to spin a fancy web”; “It takes about a week for a snake to sheds its entire skin”). Bear, who seems to snooze away his days, has a purpose. When disaster—of a sort—strikes, Bear’s devotion has sparked his energy, and he is able to act, with his friend Rabbit as cheerleader, turning Fox’s shenanigans into a fine treasure. Stevens’ nicely detailed illustrations with their exaggerated, cartoon humor emphasize the delightful silliness. That there is no note indicating the story's folk origins is a serious omission, however.

The deserts take a while to get there, but boy, are they just. (Picture book. 3-7)

Pub Date: Feb. 19, 2019

ISBN: 978-0-547-32767-9

Page Count: 48

Publisher: HMH Books

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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