by Janet Taylor Lisle ‧ RELEASE DATE: Oct. 1, 2000
Two stunning tragedies are at the center of this story of the WWII homefront. Lisle deftly uses the first two chapters to introduce characters and setting. The first begins with the slow progress of mighty naval guns into a Rhode Island village in 1942. Watching are 13-year-old cousins Robert and Elliot, and Abel Hoffman, an artist who has fled Nazi Germany. The second begins with a family dinner where Grandfather controls his family through barely contained rage. There is a ghost at the table and in Robert’s life—his emotionally elusive father who is flying for the Royal Air Force, the mere mention of whom exacts savage reaction from Grandfather. Surrounding the two tragedies, which are never far from the surface, is a finely woven web of secrets, suspicions, prejudice, and fear. Lisle brings the anti-German sentiment that swept the East Coast into sharp relief through Hoffman, who discovers he is reliving the nightmare of his life in Germany. When the villagers, convinced he is a Nazi spy, set fire to his home and work, Hoffman walks into the flames of his own paintings. Characters are interestingly developed, especially the artistic Elliot, who uses his drawing to catch and contain images of fear so they lose their power over him. Elliot, who never directly opposes his grandfather, disappears into self-imposed isolation within his family. The second tragedy is jarring for all its earlier foreshadowing. Fittingly, it is revealed through Elliot’s drawing in which Robert’s defiant father is shot in the leg by his own father. The conclusion leaves Robert wondering how he can bear to live in a family that serves itself daily doses of denial and pretense, and learning “the art of keeping cool” from his enigmatic cousin. Briskly plotted, emotionally complex, brutal in incident yet delicately nuanced in the telling, a fine historical fiction. (Fiction. 10-14)
Pub Date: Oct. 1, 2000
ISBN: 0-689-83787-9
Page Count: 216
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Janet Taylor Lisle & illustrated by David Frankland
BOOK REVIEW
by Joy Masoff ‧ RELEASE DATE: Aug. 1, 2000
This title in the “Chronicles of America” series (Colonial Times, 1600–1700, see below), provides an introduction to everyday life in the 18th century, and then describes the events leading up to, during, and after the Revolutionary War. It’s a lot to tackle in 48 pages, half taken up with photographs from “America's Living History Museums.” The title has browser appeal, but too little substance and overgeneralization may mislead young readers. For example: “Most people in America gathered together to pray at least once a week.” Or: “Even if folks had come from Germany or Holland, they quickly became English citizens of the Americas.” The tone sometimes trivializes the topic, for example: Pirates are described as “the naughtiest men.” And under the heading “Ouch!” the author states: “Some unlucky prisoners even had their ears nailed to the planks.” Most topics are treated in a two-page layout, with four to six full-color photographs and a very brief text. A typical spread entitled “There’s No Place Like Home” describes homes in the Northern and Southern colonies and provides a photograph of Mount Vernon, an interior of a bedroom from Colonial Williamsburg, a brick row house, a Hudson Valley stone farm house, and a man mixing clay for bricks with his feet. The text states: “In the early 1700s, most houses were simply one big room.” None of the dwellings shown are one room. The dwellings in the photographs span the century, but since the reader is not given dates, the text is at odds with the visual images. Other text labeled “surprising facts,” explains: “The plaster at Mount Vernon includes both hog and cattle hair.” That's neither surprising nor important. A blue box called “Brickmaking Made Easy” explains how bricks are made. With so little space the author should focus on more important topics. Many of the issues leading up to the Revolutionary War are introduced, for example the Sugar Act, Stamp Act, and Townsend Acts. Loyalists get very brief treatment, and battles are narrated with the fervor and flavor of a hockey sportscast. There are no maps or time lines to aid the reader. The author concludes with information on historic restorations to visit, books for further reading, Web sites of interest, photo credits, and an index. Too slight and problematic for purchase. (Nonfiction. 10-12)
Pub Date: Aug. 1, 2000
ISBN: 0-439-05109-6
Page Count: 48
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
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by Joy Masoff with Jessica Garrett & Ben Ligon ; illustrated by David DeGrand
BOOK REVIEW
by Joy Masoff
BOOK REVIEW
by Joy Masoff & photographed by Brian Michaud & Peter Escobedo
by Joy Masoff ‧ RELEASE DATE: Aug. 1, 2000
Imagine compressing one hundred years of American history into 48 pages! Imagine making history come alive with photographs of people dressed in period costumes, slipping in odd historical facts while debunking myths, tucking in colonial crafts kids can try at home, and providing a sympathetic narrator who attempts to present the point of view of European settlers, Native Americans, African slaves, and indentured servants. The author of this title and American Revolution, 1700–1800 (see above) in the “Chronicle of America” series, tries hard, but the snippets selected to add interest, the overly dramatic prose, lack of sources, and excessive compression of complex issues make this title less than successful. Each double-paged layout tackles a new topic. Those include the voyage, first Americans, food, clothing, shelter, education, warfare, illness, farming, crafts, and the like. Topics usually begin with questions in italics to stimulate reader interest. For example: “How would you feel if you sat down to a dinner of meat loaf with maggots?” An introductory paragraph or two follows with short discussions of related topics, three or four uncaptioned photographs of people and objects from America’s Living History Museums, and a tan, blue, or red box with a “surprising history” snippet, or a colonial craft to try. Unsupported statistics abound, “In the early days of the European settlements, 80 percent of the people who came to Virginia died once they got there.” Or, “It took 2500 trees to build a ship the size of the Mayflower.” Or, “After months at sea with no fresh food, is it any wonder that some early settlers were forced to turn to cannibalism?” The glossy photos and breezy tone will appeal to young history enthusiasts, but caution should be exercised lest the reader come away with some very odd ideas about the past. The author concludes with a few titles for further reading, Web sites, picture credits, and an index. (Nonfiction. 10-12)
Pub Date: Aug. 1, 2000
ISBN: 0-439-05107-X
Page Count: 48
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
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More by Joy Masoff
BOOK REVIEW
by Joy Masoff with Jessica Garrett & Ben Ligon ; illustrated by David DeGrand
BOOK REVIEW
by Joy Masoff
BOOK REVIEW
by Joy Masoff & photographed by Brian Michaud & Peter Escobedo
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