A gift for Austen’s devoted readers on the 250th anniversary of her birth.
Celebrating a beloved writer.
British biographer, novelist, memoirist, and literary scholar Todd admits that she was late in discovering Jane Austen. “She wasn’t my childhood passion,” she writes, but certainly Austen has become a significant focus of her scholarship: Todd edited the Cambridge edition of Austen’s works and is deeply knowledgeable about her life and times. In an engaging melding of memoir and literary analysis, Todd offers a close reading and personal response to Austen’s most indelible characters, including Emma Woodhouse, Anne Elliot, Elizabeth Bennet, Fanny Price, and the Dashwood sisters, Marianne and Elinor, as well as the men, relatives, friends, and neighbors with whom they interacted. As she reflects on Austen, Todd charts her own path as a scholar, first in England and then in the U.S., where she studied and taught at a time when women’s studies and French critical theory were shaping English departments. Both perspectives informed Women’s Friendship in Literature, her book about intimate relationships in women’s fiction and in their authors’ real lives. Austen appeared in that book, as did Mary Wollstonecraft, the subject of another of Todd’s biographies, who also features significantly in this current volume. Besides responding to Austen’s fiction, Todd takes a discerning—and admiring—look at her letters: “mischievous portmanteau accounts of a life filled with people—some too fat, some too short-necked, some just too nondescript for comment—and random things, from muslins and sofas to honey, cakes and wine.” Although Todd finds the letters captivating, the novels have proven most revelatory for her, spreading “out and round me like rich material, a shot silk of rippling ambivalence, of passion and affection, temperamental undercurrents, neediness and intellectual solitude, confusions clarified, resilience, exertion and stillness—and love (however ironised).”
A gift for Austen’s devoted readers on the 250th anniversary of her birth.Pub Date: March 20, 2025
ISBN: 9781009569316
Page Count: 246
Publisher: Cambridge Univ.
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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