A compelling blend of historical portraiture and novelistic flair.
In this final installment of a historical fiction trilogy chronicling the Tudors, young Prince Edward suddenly becomes king and deals with palace intrigue.
When King Henry VIII succumbs to illness, his son, Prince Edward, only 9 years old, ascends to the British throne. Edward is provided counsel by his uncle Edward Seymour, the Earl of Hertford, who is made his Lord Protector and quickly promoted to the Duke of Somerset. Somerset is a sagacious veteran of the kingdom’s internecine political squabbles, but Edward chafes under his sometimes-prohibitive tutelage. The boy quickly becomes aware that many “bowed to Edward, obsequiously so, but they listened to Somerset.” Meanwhile, Tom Seymour, Somerset’s brother and another of Edward’s uncles, slyly manipulates the child king into endorsing a marriage between him and the Queen Dowager, an opportunistic bid to seize the reins of power, possibly by violence. As Edward grows ill and his reign looks to be a brief one, he frets anxiously that the succession to the throne of his Roman Catholic sister, Mary, will usher in a wave of “popish superstition,” a fear powerfully portrayed by Wertman: “Edward would fulfill his destiny. He owed it to God, who had entrusted him with removing superstition from his men’s prayer. He owed it to his people, as their king.” The author’s research is magisterial—this is a worthy history lesson wrapped in a compelling drama. The genealogical intricacies of the plot can become overwhelming, but the story as a whole is conveyed with admirable lucidity and emotional poignancy. The character of Edward is memorable—daunted by responsibilities he struggles to fully comprehend, he rises to the occasion as much as anyone could expect of a child. Wertman offers what everyone should want from historical fiction—rigorously enacted authenticity and gripping literary drama.
A compelling blend of historical portraiture and novelistic flair.Pub Date: July 21, 2020
ISBN: 978-0-9971338-7-5
Page Count: 364
Publisher: Self
Review Posted Online: Dec. 23, 2020
Kirkus Reviews Issue: Feb. 1, 2021
Review Program: Kirkus Indie
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A touching portrait of courage and friendship.
A lifetime of friendship endures many upheavals.
Ellie and Homa, two young girls growing up in Tehran, meet at school in the early 1950s. Though their families are very different, they become close friends. After the death of Ellie’s father, she and her difficult mother must adapt to their reduced circumstances. Homa’s more warm and loving family lives a more financially constrained life, and her father, a communist, is politically active—to his own detriment and that of his family’s welfare. When Ellie’s mother remarries and she and Ellie relocate to a more exclusive part of the city, the girls become separated. They reunite years later when Homa is admitted to Ellie’s elite high school. Now a political firebrand with aspirations to become a judge and improve the rights of women in her factionalized homeland, Homa works toward scholastic success and begins practicing political activism. Ellie follows a course, plotted originally by her mother, toward marriage. The tortuous path of the girls’ adult friendship over the following decades is played out against regime change, political persecution, and devastating loss. Ellie’s well-intentioned but naïve approach stands in stark contrast to Homa’s commitment to human rights, particularly for women, and her willingness to risk personal safety to secure those rights. As narrated by Ellie, the girls’ story incorporates frequent references to Iranian food, customs, and beliefs common in the years of tumult and reforms accompanying the Iranian Revolution. Themes of jealousy—even in close friendships—and the role of the shir zan, the courageous “lion women” of Iran who effect change, recur through the narrative. The heartaches associated with emigration are explored along with issues of personal sacrifice for the sake of the greater good (no matter how remote it may seem).
A touching portrait of courage and friendship.Pub Date: July 2, 2024
ISBN: 9781668036587
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
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