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THE TALE OF LITTLE RED RIDING HOOD

The wolf isn’t the only one who should be embarrassed by this misguided, pedantic, poorly designed rendition.

A thoroughly sanitized retelling (sandwiched between pop-up advertisements for another app) linked to stylized illustrations that are probably intended to be sweet but are actually strange and eerie.

This retelling finds Little Red fleeing from her granny’s cottage, pursued by the wolf—who, after being clubbed by the woodsman and having his jaws “prised open” so that Granny can dance out, slinks off “embarrassed and ashamed.” In sharp contrast to this gooey version of the familiar plot, the art veers off into disturbing territory. Sporting enormous, glassy eyes in an oversized rectangular face, Little Red Riding Hood skips through a retro pastel forest as the menacing wolf oozes like a shaggy snake up a twisty path to the cottage. He devours Granny in a sudden whirl and then springs open-mawed after his second intended victim. Aside from a few tap-activated sound effects and floaty animations keyed by flashing outlines, the only interactive feature is a tantalizingly large “X” in the corner of each screen. Touching this abruptly restarts the story, bringing up an introductory page on which, along with auto-advance and manual-viewing options, a “Learn” mode introduces occasional quizzes interjected by the British-accented narrator: “There is a clue to show that the wolf is in Granny’s cottage. Can you find it? That’s right, it’s his tail.”

The wolf isn’t the only one who should be embarrassed by this misguided, pedantic, poorly designed rendition. (iPad storybook app. 4-7)

Pub Date: Nov. 21, 2012

ISBN: N/A

Page Count: -

Publisher: Mindshapes

Review Posted Online: Dec. 25, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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