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FIREBIRD

First-timer Graham crosses lust with New Age longings in a hybrid-romance about a violinist who wins her man only after she dies. In Flint Hills, Kansas, Ethan Brown is called —Wordsworth— because he studied at Yale and has an extensive library in his law office downtown. Divorced, estranged from his teenaged son, and a little lonely despite his engagement to Katie Anne Mackey, daughter of the area’s most imposing cattle rancher, Ethan keeps his spirits up by focusing on his plan to start his own ranch adjoining the Mackeys——until, that is, he meets the new woman in town, Annette Zeldin, a now-famous violinist who left Kansas two decades ago, married, divorced, then stayed in Paris to raise a daughter and become —Europeanized.— The locals scoff at her, and at her daughter’s French accent, but Ethan is mesmerized by her depth and beauty—qualities lacking in the brash Katie Anne. Annette is in town to bury her mother before leaving forever, but her attraction to Ethan, who can quote Yeats to her on command, convinces her to stay. The mutual attraction is so strong that Ethan breaks his engagement and Annette turns her back on Paris to be a housewife in the Kansas hills. But when Katie Anne announces that she’s pregnant, Ethan feels honor-bound to marry her—and, soon after the wedding, a fire courses through the Mackeys’ and Ethan’s land, killing Annette and burning Katie Anne beyond recognition. As Annette’s spirit follows her mother toward heaven, she realizes that her love for her daughter necessitates that she remain bound to the world of the living: so she inhabits the body of her fellow burn victim, Ethan’s wife Katie Anne. The lovers are together at last—but will Ethan, now revolted by the sight of Katie Anne, ever realize that the woman he loves is inside his wife’s disfigured body? Graham’s body-switch gimmick is certainly a weird one, but her unabashed passion for cowboys, French wine, and all things romantic may win her an enthusiastic following. (First printing of 150,000; Literary Guild Main selection; $400,000 ad/promo; author tour before publication)

Pub Date: July 20, 1998

ISBN: 0-399-14404-8

Page Count: 304

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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