by Janice Levy & illustrated by Sydney Wright & developed by Siena Entertainment ‧ RELEASE DATE: March 19, 2011
The Runaway Radish (who, spoiler alert, doesn't exactly make it out of the story intact) is entertainingly chaotic, and this...
Although markedly different in tone and style from most iPad storybook apps (though no less worthy), this English-and-Spanish tale of a food sculptor and a mischievous, fast-moving root vegetable is fun and has some features that make it worth multiple readings.
When Don Pedro tries to sculpt an elaborate scene, including a castle and knights, out of radishes, one of the veggies springs to life and runs for the hills. The ensuing chase, which eventually involves a donkey, a group of mariachi musicians, a chef and a street vendor is silly enough. But the reality-bending illustrations are appropriately over-the-top, and the giant radish's cry—"Places to go, people to see. / Out of my way, you can't carve ME!"—is catchy. In addition to the usual interactive features, including optional narration, a pop-up page index and mute-able background audio, it has two good options for younger readers. It can be read in English and Spanish and even includes bilingual flash cards for some of the words used in the story. But best of all, its "English learner" and "Spanish learner" options slow down the tempo of the narration, making it easier to follow along with the text. If there's a quibble with the app it's that the text's font itself is too small and doesn't serve the style of the art well. A matching game is included.
The Runaway Radish (who, spoiler alert, doesn't exactly make it out of the story intact) is entertainingly chaotic, and this “Gingerbread Man” variant is a good effort in both Spanish and English. (iPad storybook app. 3-8)Pub Date: March 19, 2011
ISBN: N/A
Page Count: -
Publisher: Siena Entertainment
Review Posted Online: March 28, 2011
Kirkus Reviews Issue: April 15, 2011
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by Lala Watkins ; illustrated by Lala Watkins ‧ RELEASE DATE: Jan. 7, 2025
Say hello to a relatable and rewarding early reader!
Fun with friends makes for a great day.
Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”
Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9780593646212
Page Count: 48
Publisher: Seuss Studios
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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