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LEGACIES

INTERVIEWS WITH MASTERS OF PHOTOGRAPHY FROM DARKROOM PHOTOGRAPHY MAGAZINE

A magnetic and vital historical restoration.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2018

A reprinting of long-lost interviews with photography icons. 

As the lead interviewer for the now-defunct Darkroom Photography magazine, debut author Bultman didn’t shy away from approaching high-profile personalities, asking uncomfortable questions, and distilling complex photographic theories into digestible, compelling prose. The author spoke with some now-legendary photographers, such as Gordon Parks, Robert Mapplethorpe, Mary Ellen Mark, Ernst Haas, Barbara Crane, and Lee D. Witkin, and allowed each to speak freely about their practice, without any limitations. “Gordon Parks flirted. Lee Witkin was so likeable, I wanted him to be my new best friend. Robert Mapplethorpe was weak and barely articulate,” Bultman writes. “He hadn’t yet announced he had AIDS…but he was clearly ill. I left his studio, and I cried.” In this book, readers experience intimate discussions that had been lost to those without access to Darkroom Photography—all featuring Bultman’s intelligent questions, engaging repartee, and genuine curiosity. Many interviews published here were conducted in the 1980s, pre–9/11 and pre-digital age. As a result, a lot of their wonder and critical thinking may seem somewhat foreign to modern readers. In her interview with Parks, the photographer identifies “the camera as a weapon against intolerance, injustice, and poverty”; later, Mark says “there’s no such thing as being objective on a personal project. If you care about it, then you have to be subjective. But it’s very easy to make pictures lie, so you have to be fair in that sense.” Although these ideas aren’t novel, reading them here, as they were expressed by masters, may give readers goosebumps—and perhaps even entice some younger readers to consider photography in the same ways. Ultimately, this is a beautiful historical document of a long-gone era.

A magnetic and vital historical restoration.

Pub Date: April 5, 2018

ISBN: 978-0-692-83443-5

Page Count: 230

Publisher: Quercus Agrifolia Press

Review Posted Online: June 14, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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