by Vance N. Smith ‧ RELEASE DATE: Aug. 20, 2015
An endearing, if protracted, novel of self-discovery.
Smith tells the story of a gay man’s tumultuous search for love in this erotic debut novel.
Wilson James doesn’t have much guidance while growing up in a dysfunctional African-American family in Los Angeles. His parents are split up: his father is a distant alcoholic and his mother is a woman given easily to fits of rage. Wilson can’t go to them with his everyday problems, let alone his secret, blossoming attraction to men. After an eye-opening tryst at age 13 with his father’s 24-year-old cousin, Wilson becomes certain that the love he needs can only come from other males—specifically, grown men with the experience to guide him through the unknown territory of pleasure. So begins his search for satisfaction, although his youth and vulnerability often place him in situations in which older men are able to take advantage of him in ways he doesn’t always understand. As Wilson learns to navigate adulthood, his quest for affection becomes a journey of personal growth in which he seeks to lay to rest the ghosts of his childhood and find a way to engender love—not only in the hearts of others, but also in himself. Smith is a sensual writer, executing every scene in lusty, baroque prose. Unfortunately, this lyricism often leads to overwrought passages that confuse rather than elucidate: “Fragile by circumstance, I was a slave to poignant inclusiveness, and my innocence preyed upon by trusted foes, as a naïve participant sworn into darkened territory.” Wilson and his primary love interests are well-drawn, and Smith teases out enough emotional investment to carry readers through to the end. That said, the novel would have benefited from a bit more compression; its 467 pages might have been stronger at a lean 300. On the whole, however, there’s a charm to Wilson’s voice and journey, his ability to find high drama in the commonplace, and his attempts to wring beauty from often grim (and sometimes grimy) surroundings.
An endearing, if protracted, novel of self-discovery.Pub Date: Aug. 20, 2015
ISBN: 978-1-5089-0788-6
Page Count: 496
Publisher: CreateSpace
Review Posted Online: Nov. 15, 2015
Review Program: Kirkus Indie
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by Stephen King ‧ RELEASE DATE: April 8, 1974
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
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by Jodi Picoult ‧ RELEASE DATE: March 6, 2007
Though all the surface elements are in place, Picoult falters in her exploration of what turns a quiet kid into a murderer.
Picoult’s 14th novel (after The Tenth Circle, 2006, etc.) of a school shooting begins with high-voltage excitement, then slows by the middle, never regaining its initial pace or appeal.
Peter Houghton, 17, has been the victim of bullying since his first day of kindergarten, made all the more difficult by two factors: In small-town Sterling, N.H., Peter is in high school with the kids who’ve tormented him all his life; and his all-American older brother eggs the bullies on. Peter retreats into a world of video games and computer programming, but he’s never able to attain the safety of invisibility. And then one day he walks into Sterling High with a knapsack full of guns, kills ten students and wounds many others. Peter is caught and thrown in jail, but with over a thousand witnesses and video tape of the day, it will be hard work for the defense to clear him. His attorney, Jordan McAfee, hits on the only approach that might save the unlikable kid—a variation of Post Traumatic Stress Disorder caused by bullying. Thrown into the story is Judge Alex Cormier, and her daughter Josie, who used to be best friends with Peter until the popular crowd forced the limits of her loyalty. Also found dead was her boyfriend Matt, but Josie claims she can’t remember anything from that day. Picoult mixes McAfee’s attempt to build a defense with the mending relationship of Alex and Josie, but what proves a more intriguing premise is the response of Peter’s parents to the tragedy. How do you keep loving your son when he becomes a mass murderer? Unfortunately, this question, and others, remain, as the novel relies on repetition (the countless flashbacks of Peter’s victimization) rather than fresh insight. Peter fits the profile, but is never fully fleshed out beyond stereotype. Usually so adept at shaping the big stories with nuance, Picoult here takes a tragically familiar event, pads it with plot, but leaves out the subtleties of character.
Though all the surface elements are in place, Picoult falters in her exploration of what turns a quiet kid into a murderer.Pub Date: March 6, 2007
ISBN: 0-7434-9672-8
Page Count: 352
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
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