by Jaroslav Kalfař ‧ RELEASE DATE: March 7, 2017
An entertaining, provocative addition to the spate of literary near-future novels that have lately hit the shelves.
Blend Bradbury and Lem with Saint-Exupéry and perhaps a little Kafka, and you get this talky, pleasing first novel by Czech immigrant writer Kalfar.
Jakub Procházka—his name, he insists, is “common” and “simple”—is a man of numerous fears, including caterpillars and the possibility of an afterlife, “as in the possibility that life could not be escaped.” An astrophysicist with a beautiful if increasingly estranged wife and a father with a fraught past, Jakub is now pushing the moral equivalent of a giant space broom, collecting cosmic dust for analysis up in the skies on a path to Venus, where the first astronaut from the Czech Republic can stake a claim to space for a nation that the world confuses with Chechnya or, in the words of a powerful technocrat, “reduces us to our great affinity for beer and pornography.” The new world in the sky yields many mysteries, among them an arachnoid spider with whom Jakub, whom the creature calls “skinny human,” has extensive conversations about all manner of things even as events on Earth unfold in ever stranger ways; his wife, Lenka, now has a police tail, and Jakub’s wish to reconcile and produce offspring seems increasingly unlikely. And why does he wish to reproduce? So that, he answers when the creature asks, he reduces the odds of being a nobody, one of many nicely Kafkaesque nods in a book built on sly, decidedly contrarian humor. Whether the Nutella-loving creature is really there or some sort of imagined projection (“A hallucination could not be full of thoughts that had never occurred to me, could it?”) remains something of a mystery, but Jakub’s torments and mostly good-natured if baffled responses to them are the real meat of the story. Blending subtle asides on Czech history, the Cold War, and today’s wobbly democracy, Kalfar’s confection is an inventive, well-paced exercise in speculative fiction.
An entertaining, provocative addition to the spate of literary near-future novels that have lately hit the shelves.Pub Date: March 7, 2017
ISBN: 978-0-316-27343-5
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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BOOK TO SCREEN
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Andy Weir ‧ RELEASE DATE: Feb. 11, 2014
Sharp, funny and thrilling, with just the right amount of geekery.
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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Andy Weir ; illustrated by Sarah Andersen
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